DVD & Blu-ray · Horror · Noir
A Stranger Arrives in Town: Francis Coppola’s TWIXT (2011)
How do you begin a story? If I told you a story begins with the arrival of a stranger in town, you would probably think I was talking about a[…]
Tagged: archetype
Vincente Minnelli’s Descents Into Hell
Vincente Minnelli’s reputation is that of a stylist – someone who did not author his own screenplays, but who directed whatever the studio (usually MGM) assigned to him (usually musicals), and[…]
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Fantasia (1940): The Varieties of Religious Experience
Walt Disney’s masterpiece, Fantasia, may seem at first like a random collection of animated shorts whose only common factor is that each was inspired by a well-known piece of classical[…]
Deconstructing Sucker Punch
Like Lynch’s Mulholland Dr., Christopher Nolan’s Inception, or Charlie Kaufman’s Synecdoche, New York, Zack Snyder’s Sucker Punch invites the viewer to deconstruct a narrative puzzle – nested realities, stories embedded[…]
Notes on a Slow Zoom: Robert Altman’s 3 WOMEN (1977)
Standing in an aquarium with his arms outstretched, the Creature from the Black Lagoon makes a cameo appearance in Robert Altman’s 3 Women, but his presence is anything but gratuitous. Like everything else in[…]
R.I.P. Jill Haworth (1945-2011)
Otto Preminger had a thing for saintly blondes. The best known of Preminger’s saintly – and hauntingly beautiful – blondes was Jean Seberg whom Preminger discovered and cast as the lead in[…]
Bigger Than Life’s Sci-Fi Twin
No one with eyes and a brain could seriously dispute Nicholas Ray’s role as the primary auteur of Bigger Than Life. All you need to do is watch Ray’s Rebel[…]
Photo Essays · Reviews · Silents
Victory (Maurice Tourneur, 1919)
More than 20 years before Jacques Tourneur took us to an exotic tropical isle in 1943’s I Walked With a Zombie, his father, producer/director Maurice Tourneur (1876-1961), blazed a similar trail with his[…]
La Décade Prodigieuse – Ten Days’ Wonder (Claude Chabrol 1971)
Why Ten Days’ Wonder? I certainly wouldn’t call it one of Chabrol’s masterpieces. That’s a description I’d reserve for Les Bonnes Femmes, Le Boucher, Ã Double Tour, La Rupture, The[…]
Women in Wonderland, Part 5 – Coraline (Henry Selick 2009)
Every one of Henry Selick’s four feature films to date has dealt with alternate realities. In the Tim Burton-produced The Nightmare Before Christmas (1993), the ghoulish Jack Skellington finds a[…]
Women in Wonderland, Part 3 – Psycho (Alfred Hitchcock 1960)
The Alices in flight, those beautiful women alone in their cars on the run – Sylvia Kristel in Alice ou la Dernière Fugue, Candace Hilligoss in Carnival of Souls,[…]
Remembering Maila Nurmi (1921-2008)
Maila Nurmi, aka Vampira – actress, comedienne, artist, and horror hostess – was one of the most interesting and extraordinary persons I have ever met. MAILA KNEW EVERYBODY The first[…]
Catherine Corman, Joseph Cornell, and Rose Hobart
[youtube=http://www.youtube.com/watch?v=MUpUKcCrBP8] When I first saw Rose Hobart (excerpted above) back in the 1970s, it was a revelation to me. Its maker, Joseph Cornell (1903-1972), was an American surrealist who specialized[…]
BLUE FLOWERS AND BLACK
A while back, I talked about the re-emergence of Romantic “blue flower” imagery in films like Batman Begins and A Scanner Darkly. Add one more film to the list –[…]
SF & Fantasy · Writers & Critics
Joseph Stefano Obituary, Part 2: THE OUTER LIMITS
The classic ’60s sci-fi anthology series, The Outer Limits, was conceived by eccentric writer/producer Leslie Stevens. How eccentric?? It was Stevens who later wrote and directed Incubus (1965), starring William[…]
The Lewton-Friedkin-Kubrick Connection
I saw William Friedkin’s Cruising for the first time in 25 years when it played on IFC recently. Having listened to Friedkin’s DVD audio commentary on Val Lewton’s The Leopard[…]
