John Cassavetes: The First Dogme Director?
“The major point of convergence between Cassavetes and the Dogme movement is an oppositional realist form that blurs the boundaries between being and performing.”
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September 8, 2026
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The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:
“The major point of convergence between Cassavetes and the Dogme movement is an oppositional realist form that blurs the boundaries between being and performing.”
The General (Buster Keaton, 1926) Transferred from a print struck from the original camera negative, Kino’s recent two-disc presentation of The General looks shockingly new, as if Keaton had shot[…]
“In the ensuing post-Stonewall civil rights struggles, The Boys in the Band became crazy Aunt Betty locked in the attic when guests came over.”
Masculine Singular: French New Wave Cinema, by Geneviève Sellier. Translated by Kristin Ross. Durham, NC: Duke University Press, 2008. Paperback, $22.95, 280pp. ISBN: 0822341921. When it comes to feminist film[…]
The Matrix of Visual Culture: Working with Deleuze in Film Theory, by Patricia Pisters. Stanford, CA: Stanford University Press, 2003. Cloth $60.00, Paper $26.95, 307pp. ISBN: 0-8047-4028-3. In contemporary film[…]
“Like Tim Burton and Terry Gilliam, or the Scott brothers Ridley and Tony, Fincher is an auteur-facile, an auteur of illusory depth.”
“I think the most horrifying images are the ones you make yourself. Is there someone standing behind the door, or is it just two shoes standing there?”
A sampling of the best of the fest’s international offerings
That’s precisely what a number of folks are attempting to ascertain in light of the accolades this British/US film (shot in the underbelly of India) is receiving. It very well[…]
What is it that makes the hotter, smarter younger sister so much more sophisticated, precocious, intelligent and adorable than the older lead in movies? Maybe it’s because she’s free of[…]
Let’s start with the most obvious correlation, other than perhaps the fact that both artists are likely to appeal to folks like me who strongly identify with the technical experimentation[…]
In the rush to “clean up” the images of classic cinema, to remove every speck and splice digitally, etc., are we not also losing something? What about the blurry,[…]
Remember a couple years ago when C. Jerry Kutner was singing the praises of Powell’s AGE of CONSENT right here in Bright Lights After Dark? Both the films on this[…]
With a tip of the hat and, perhaps, apologies to Nathaniel R, here is my version of his 20 Actress meme – not just 20 favorite actresses, but 20 outstanding[…]
I’ve survived the family Xmas, and what saved us was the power of the movies. This got me to thinking about all the best dysfunctional family holiday films–I don’t mean[…]
Continuing an annual orgy of cartoon watching I decided to take a lengthy look at this classic in socio-philosophical, rather than belletristic, terms. Unfortunately, the full Atheist’s Guide runs over[…]
Here’s a catchy little number that’s not on DVD and should have/could have been included in that Tennessee Wiliams boxed set of a few years back. There’s not a lot[…]
The by now hideously distended Muppet franchise received another subpar entry on network television last night in the form of “A Muppet Christmas: Letters to Santa”. Is anyone else willing[…]
Actors & Personalities · Exploitation & Erotica
Is there an art to being photographed? I believe there is, and when I say that, I am thinking of four artists in particular, all of whom reached their peaks[…]
Charlie Kaufman’s Synecdoche, New York is not one of those films (e.g., Baz Luhrman’s Australia) that lurches toward the audience with its metaphorical arms wide open, shouting “Love me!” On[…]
