Bright Lights Film Journal

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Actors & Personalities

1

Hotter Younger Sister Thing #7: Gail Patrick as Cornelia Bullock in MY MAN GODFREY

  • February 12, 2009

I know Cornelia isn’t necessarily the “younger” sister in Gregory La Cava’s classic screwball comedy, MY MAN GODFREY (1936), but she was born three years earlier (than Lombard) and damn[…]

Reviews

0

Yea as I walk through the Uncanny Valley of Elah

  • February 12, 2009

Speaking of THE VALLEY OF ELAH, what about the Uncanny Valley, hat “misrecognition” which makes us creeped out by CGI animated humans? The proliferation of CGI has always fascinated me[…]

Reviews

0

Women in Wonderland, Part 3 – Psycho (Alfred Hitchcock 1960)

  • February 10, 2009

  The Alices in flight, those beautiful women alone in their cars on the run – Sylvia Kristel in Alice ou la Dernière Fugue, Candace Hilligoss in Carnival of Souls,[…]

Reviews

0

Women in Wonderland, Part 2 – Alice, or the Last Flight (Claude Chabrol 1977)

  • February 8, 2009

Alice (Sylvia Kristel) has an argument with her husband. She drives off into the pouring rain. There is an accident. When she wakes up, the sun is shining, but something[…]

Reviews

0

Deliver us from Craftsmanship

  • February 7, 2009

Preparing to go see Revolutionary Road tomorrow, I’m scoping out the RT and noticing the words “craftsmanship,” “Oscar-bait,” “meticulously crafted but emotionally empty,” and so forth… Oscar bait becomes oscarbate,[…]

Animation · Reviews

1

Women in Wonderland, Part 1 – Lost Girls

  • February 6, 2009

All three meet as adult women in Alan Moore and Melinda Gebbie’s X-rated graphic novel, Lost Girls (above). Moore, the genius author of Watchmen, From Hell, and The League of[…]

Photo Essays

9

When the English-Dubbed Version is Better

  • February 3, 2009

With regard to the whole issue of dubbing, conventional wisdom tells us that foreign films are best viewed in their original language. And I tend to agree with that. But[…]

Actors & Personalities · Reviews

0

Cooler Younger Sister Effect: Barbara Rush in MAGNIFICENT OBSESSION

  • February 1, 2009

  The recent Criterion release of MAGNIFICENT OBSESSION (1954) makes a good–not great, but still worthy–addition to our cooler younger sister collection. This 1954 Douglas Sirk soap was a big,[…]

Writers & Critics

0

On How Things Seem: The Views of Robert Warshow

  • January 31, 2009

“Where Warshow distinguishes himself from Kracauer and other sociological critics is his reaction to the ‘absorbing immediacy’ of films.”

Activist & Political · Animation

1

The Responsible Dream: On Ari Folman’s Waltz with Bashir

  • January 31, 2009

“We were the Nazis.”

Reviews

0

“A Universe Inside a Universe”: On Synecdoche, New York

  • January 31, 2009

synecdoche: a figure of speech in which a part is used for a whole, an individual for a class, a material for a thing, or the reverse of any of these (Ex.: bread for food, the army for a soldier, or copper for a penny) — Webster’s Online Dictionary

LGBT & Queer · Reviews

0

Little Stabs of Queer Happiness (and Horror): Random Short Reviews of the Worthy and the Worthless in Recent and Old School Cinema

  • January 31, 2009

“Heterosexual brides-to-be are one of the demographics that arrive by the busloads to partake of Darcelle’s mad mix of risqué zingers, over-the-top musical routines, and mother-hen reassurances.”

African American · Directors

0

Spike Lee’s “Uniquely American [Di]vision”: Race and Class in 25th Hour

  • January 31, 2009

“Is it simply that the hero must be white for a mainstream American audience to care for him, or for the mainstream critical establishment to value Lee’s work?”

Actors & Personalities

0

Robert Ryan: A Moon for the Misbegotten

  • January 31, 2009

“I have been in films pretty well everything I am dedicated to fighting against.”

Experimental & Underground

0

Lysergic Landscapes: John Maybury’s Read Only Memory

  • January 31, 2009

“Story, characters, and other reassuring elements are simply obliterated by what appears to be Maybury’s elaborate private mythology.”

Genres · Pre-Code

0

Sinners’ Holiday: An Ode to Pre-Code

  • January 31, 2009

“Code? What Code?”

Genres · Pre-Code

0

Dizzy from the Altitude, Happy to Plummet: Pre-Code Cinema and the Post-Code-Shock Syndrome

  • January 31, 2009

“The air is saturated with their feelings for each other as they listen to ‘the distant music of the falls,’ the same falls, of course, that will threaten to kill her.”

Directors

0

Jean-Pierre Melville, Director: Notes on the French Auteur’s Career

  • January 31, 2009

“The film was shot in what would become a blueprint for the director’s production style — without authorization, studio resources, or sufficient funds.”

Activist & Political · Directors · Interviews

0

Maps and Movies: Talking with Deepa Mehta

  • January 31, 2009

“I think it’s really important for you, or anybody who wants to be a filmmaker, to really be honest with yourself.”

Directors · Essays

0

Hotels and Homelands: After Ken and Rosa

  • January 31, 2009

Neither will be the same

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