Bright Lights Film Journal

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Reviews

0

“A Universe Inside a Universe”: On Synecdoche, New York

  • January 31, 2009

synecdoche: a figure of speech in which a part is used for a whole, an individual for a class, a material for a thing, or the reverse of any of these (Ex.: bread for food, the army for a soldier, or copper for a penny) — Webster’s Online Dictionary

LGBT & Queer · Reviews

0

Little Stabs of Queer Happiness (and Horror): Random Short Reviews of the Worthy and the Worthless in Recent and Old School Cinema

  • January 31, 2009

“Heterosexual brides-to-be are one of the demographics that arrive by the busloads to partake of Darcelle’s mad mix of risqué zingers, over-the-top musical routines, and mother-hen reassurances.”

African American · Directors

0

Spike Lee’s “Uniquely American [Di]vision”: Race and Class in 25th Hour

  • January 31, 2009

“Is it simply that the hero must be white for a mainstream American audience to care for him, or for the mainstream critical establishment to value Lee’s work?”

Actors & Personalities

0

Robert Ryan: A Moon for the Misbegotten

  • January 31, 2009

“I have been in films pretty well everything I am dedicated to fighting against.”

Experimental & Underground

0

Lysergic Landscapes: John Maybury’s Read Only Memory

  • January 31, 2009

“Story, characters, and other reassuring elements are simply obliterated by what appears to be Maybury’s elaborate private mythology.”

Genres · Pre-Code

0

Sinners’ Holiday: An Ode to Pre-Code

  • January 31, 2009

“Code? What Code?”

Genres · Pre-Code

0

Dizzy from the Altitude, Happy to Plummet: Pre-Code Cinema and the Post-Code-Shock Syndrome

  • January 31, 2009

“The air is saturated with their feelings for each other as they listen to ‘the distant music of the falls,’ the same falls, of course, that will threaten to kill her.”

Directors

0

Jean-Pierre Melville, Director: Notes on the French Auteur’s Career

  • January 31, 2009

“The film was shot in what would become a blueprint for the director’s production style — without authorization, studio resources, or sufficient funds.”

Activist & Political · Directors · Interviews

0

Maps and Movies: Talking with Deepa Mehta

  • January 31, 2009

“I think it’s really important for you, or anybody who wants to be a filmmaker, to really be honest with yourself.”

Directors · Essays

0

Hotels and Homelands: After Ken and Rosa

  • January 31, 2009

Neither will be the same

Directors · Silents

0

Griffith’s Great American Pastoral: Location and Meaning in Way Down East

  • January 31, 2009

“The air is saturated with their feelings for each other as they listen to ‘the distant music of the falls,’ the same falls, of course, that will threaten to kill her.”

Documentaries

0

Liverpool Lullaby: On Terence Davies’ Of Time and the City

  • January 31, 2009

“Through cinema the past is regained.”

Activist & Political · Documentaries

1

What Is Cheaper Than Nothing at All? Czech Dream, Culture Jamming, and Consumerism

  • January 31, 2009

“I jam because I am without ID.”

Writers & Critics

1

Out of His Head: Metaphysical Escape Attempts in the Screenplays of Charlie Kaufman

  • January 31, 2009

“Kaufman’s homunculi schema is an implicit mockery of our bottomless ignorance of the nature of consciousness.”

Chaplin and Virginia Cherrill

Actors & Personalities · Comedy · Directors

0

Looking at Charlie: City Lights: An Occasional Series on the Life and Work of Charlie Chaplin

  • January 31, 2009

“If you could only see me as I really am, not as I appear but as I really am, as I am in my heart.”

Directors

0

John Cassavetes: The First Dogme Director?

  • January 31, 2009

“The major point of convergence between Cassavetes and the Dogme movement is an oppositional realist form that blurs the boundaries between being and performing.”

DVD & Blu-ray · Reviews

0

Bright Sights: Recent DVDs: The General, Douglas Fairbanks Silents, The Spy Who Came in from the Cold, Fighters, Real Money, Lady with the Dog

  • January 31, 2009

The General (Buster Keaton, 1926) Transferred from a print struck from the original camera negative, Kino’s recent two-disc presentation of The General looks shockingly new, as if Keaton had shot[…]

LGBT & Queer

0

“Oh Mary, Don’t Ask”: The Boys in the Band on DVD

  • January 31, 2009

“In the ensuing post-Stonewall civil rights struggles, The Boys in the Band became crazy Aunt Betty locked in the attic when guests came over.”

Books

0

Books: Masculine Singular: French New Wave Cinema

  • January 31, 2009

Masculine Singular: French New Wave Cinema, by Geneviève Sellier. Translated by Kristin Ross. Durham, NC: Duke University Press, 2008. Paperback, $22.95, 280pp. ISBN: 0822341921. When it comes to feminist film[…]

Books

1

Books: The Matrix of Visual Culture: Working with Deleuze in Film Theory

  • January 31, 2009

The Matrix of Visual Culture: Working with Deleuze in Film Theory, by Patricia Pisters. Stanford, CA: Stanford University Press, 2003. Cloth $60.00, Paper $26.95, 307pp. ISBN: 0-8047-4028-3. In contemporary film[…]

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