Dr. Steve Jones Talks About His Book Torture Porn: Popular Horror After Saw
Dr. Steve Jones has written a book on a subject few people have examined in depth, though the press and critics have vilified it to no end. It’s a subject[…]
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Dr. Steve Jones has written a book on a subject few people have examined in depth, though the press and critics have vilified it to no end. It’s a subject[…]
Exploitation & Erotica · Reviews · Writers & Critics
In honor of Vincent Price’s birthday (May 27, 1911-October 25, 1993), we present Sean Nortz’s thrilling exegesis of one of the actor’s most intriguing and downright bizarre films. (After this piece[…]
Animation · Historical & Epic · Reviews
In honor of Memorial Day, we present Christopher Dow’s lively history and critical analysis of World War II’s favorite cartoon fuck-up, Private Snafu, which appeared originally in Bright Lights in[…]
“[Jack] Kerouac declared in his preface to Galloway that the young artist ‘is colored by his symbols. His hue is vivid: he postures.’ This because the artist is in growth,[…]
“Are we trapped like Truman? Is this why we want him to leave his world? Then what will we do? Turn off the set? Leave our society with its endless[…]
“Could Scottie’s real beau ideal be Gavin Elster?” Vertigo is famously about obsession. Brian Da Palma’s homage/rip-off is even called Obsession. But what is Scottie’s obsession, really? San Francisco’s past[…]
Experimental & Underground · Horror · New Media
This is the second of two articles riffing on found footage horror and new media. The first was Sarolta Mezei’s “Found Footage Horror #1: The Dead Rising: Aspects of Spectrality in[…]
Katrin Cartlidge, born May 15, 1961, died on September 7, 2002 at age 41. Julian Upton’s tribute to this remarkable actress first appeared in Bright Lights in November 2003. *[…]
This is the first of two articles riffing on found footage horror and new media. The second is Alexandra Heller-Nicholas’s “Found Footage Horror #2: Textures of Silence and Decay: Marble Hornets and[…]
BLFJ News · Interviews · Writers & Critics
In the shameless self-promotion department (and because it’s his birthday), we decided to retrieve this interview with Bright Lights’ head honcho Gary Morris. Our favorite interviewer, Matt Sorrento, talked to him in[…]
With the latest version of Godzilla opening on May 16, we were reminded of other 1950s drive-in “classics” featuring everything from irradiated giant bugs to women on other planets who look suspiciously[…]
Experimental & Underground · Music & Musicals
UPDATE May 21, 2014: Six Iranian participants in 24 Hours of Happy were arrested on Tuesday, May 20, and “forced to repent” on national television for that appearance. They posted[…]
Documentaries · Festivals & Awards · LGBT & Queer
Portland, Oregon’s notoriety of late has come mainly from being satirized as over-the-top PC (Portlandia), its status as a foodie and craft beer paradise, a haven for runaway teens and activists,[…]
Activist & Political · Documentaries
“The problem with the media is that they oppose change, and turn people against the revolution,” Khalid tells his dad. His Quixotic character is evident: “I am going to keep[…]
We at Bright Lights continue our celebration of Be Kind to Animals Week with this brief revisit to Wendy and Lucy, specifically a brief, evocative lateral pan that follows Wendy’s[…]
Who’d have dreamed that the 1960s were as dumb as the 1990s? And that Shirley MacLaine was the transitional figure between the serious 1950s and the brainless decade that followed?[…]
Cabaret or whorehouse? If only poor Elena had known the difference! In the late 1940s, Mexico experienced an economic boom that shifted the cultural and artistic energy from country life — the[…]
Mary Astor was born May 3, 1906 and died September 25, 1987. In honor of this superb star, we present Imogen Sara Smith’s profile, which originally appeared in Bright Lights in[…]
Activist & Political · Actors & Personalities · Asian
This article originally appeared in slightly different form in the March 1997 issue of Bright Lights. While limited to the history up to that time, it remains sadly relevant. *[…]
Joe Walker gives us the skivvy on working with the acclaimed director of 12 Years a Slave, editing for TV versus films, music and editing, and much more. In November[…]
