Bright Lights Film Journal

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

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Baraka would renounce his “slave name” of LeRoi Jones shortly after completing The New-Ark.

Activist & Political · Directors · Documentaries

2

Recovering The New-Ark: Amiri Baraka’s Lost Chronicle of Black Power in Newark, 1968

  • April 17, 2014

In 1968, famed Black Power poet, playwright, and filmmaker Amiri Baraka, who died on January 9, 2014 at the age of 79, made a documentary in and around Spirit House,[…]

'In what was probably intended to be a private message from Kutcher and Stern to Wozniak, this section includes a shot of curly pink neon letters “W-o-z” on a bulletin board behind Kutcher while he talks about the competition.'

Actors & Personalities · TV & Streaming

5

Kutcher Punk’d Wozniak and Brogrammed Jobs to Hide the Women

  • April 14, 2014

Ashton Kutcher, producer and star of MTV’s celebrity prankster series Punk’d, played a prank on Steve Wozniak in the film Jobs, where he stars in the title role. The prank[…]

Reviews

1

“Old Dog, New Tricks”: Resurrecting James Bond in Skyfall

  • April 14, 2014

Bond has long served as a cipher for the British nation; therefore his personal struggle also exposes cultural anxiety about Britain’s waning global influence and increasing vulnerability in the twenty-first[…]

Heath Ledger in The Four Feathers

Actors & Personalities

0

On the Walkabout: Remembering Heath Ledger (April 4, 1979-January 22, 2008)

  • April 14, 2014

“Wasn’t he just there, standing right in front of us?” Actors are known to be complicated beings. Because the successful ones loom so large in our vision, their deaths are[…]

Jack Nicholson, Diane Keaton, and director Nancy Meyers on the set of Something's Gotta Give

Reviews

1

Men in Peril, Hollywood, & Our Culture’s Skewed Portrayal of Heart Disease

  • April 11, 2014

“An ill heart, expressive of character rather than culture, guarantees three things. First, by holding the individual responsible, the largest offenders, diet and a sedentary populace, are given a pass.[…]

Richard Johnson and Helen Mirren in the 1982 BBC-TV version of Cymbeline

Reviews · Writers & Critics

0

Going to Extremes #2: Cymbeline (Sometimes in Britain)

  • April 11, 2014

Where all this takes me is to the thought that fiction frequently presents human personality as something lost or imprisoned – by self-ignorance and suspicion if by nothing worse. “We’re[…]

Books · LGBT & Queer · Producers & Studios

2

Inside the Dreamboat Factory: The Fairy Godfather of Hollywood

  • April 11, 2014

“He won’t be gay when I get through with him!” Revisiting legendary gay agent Henry Willson via Robert Hafler’s biography Henry Willson, The Man Who Invented Hollywood * * *[…]

Actors & Personalities

1

Mickey Rooney – Seriously! (R.I.P.)

  • April 10, 2014

Mickey Rooney died on April 6, 2014. We offer Jim MacEachern’s profile of him in tribute. * * * “A great man is only the reflection of a great boy[…]

Directors · Documentaries · Interviews

0

Inside New York’s Subway Secret: Talking with the Makers of La Voz de los silenciados (The Voice of the Voiceless)

  • March 13, 2014

When a film screening is greeted first with silence, it is certainly not easy on the director. “It was so scary, everybody was so silent in the theatre we were[…]

Silents

1

There’s Something About Mary: Misdeeds and Maneuvers on the Set of Phantom of the Opera (1925)

  • March 12, 2014

Following up on the author’s previous Phantom piece, here he discusses Mary Philbin’s innocence, Lon Chaney’s dedication, and the larger implications of Norman Kerry’s “roving hands.” Written by Philip J.[…]

Reviews · Writers & Critics

0

Going to Extremes, Part One: Pericles (Some Mouldy Tale)

  • March 7, 2014

Drama is about extremity. This can centre on one person, or on his/her society or both. Without it drama cannot exist. But what if the world’s greatest dramatist starts testing[…]

Festivals & Awards

0

The Way Things Look: Farewell to Alain Resnais at the Berlinale 2014 (Feb. 6-16)

  • March 6, 2014

The author, who served on the critics’ jury at the festival, profiles the late Alain Resnais and his award-winning final film, along with several works by other directors. This Berlinale[…]

Noir · Reviews

2

Ida Lupino’s American Psycho: The Hitch-Hiker (1953)

  • February 27, 2014

“In The Hitch-Hiker, Lupino offers an unusually sustained visual examination of the average male body that is then contrasted against the anarchic body of the Psycho. Myers is often shown[…]

Directors · Documentaries · Experimental & Underground

1

One Frame Apart: On Straub and Huillet and Pedro Costa’s Where Does Your Secret Smile Lie?

  • February 26, 2014

“For a start, Straub and Huillet’s relationship is far from an image of perfect union. It seems to thrive on a combination of disagreement and respect, a dialectical tussle worthy[…]

Joanna Cassidy in Blade Runner

Exploitation & Erotica · Reviews · SF/Fantasy

0

Bondage, Bestiality, and Bionics: Sexual Fetishism in Ridley Scott’s Blade Runner

  • February 25, 2014

Blade Runner is a film seeping with representations of repressed sexuality. Every scene, sequence, and image is imbued with, commenting on, or directly a result of sexual frustration and need.[…]

DVD & Blu-ray · Reviews · Silents

4

Blu-ray Review: The BFI’s The Phantom of the Opera (Rupert Julian, 1925, and silent film reissue, 1929)

  • February 24, 2014

“Erik, like Darth Vader, is much more interesting with as little backstory as possible.” — Mike Gebert, Nitrateville, site administrator1 When fairy tales, literature, and the movies hand us a[…]

Reviews · TV & Streaming

0

Heavy TV, Part Deux: Breaking Bad ends badly, Girls gets girly, and Mad Men explores sex, death, and ketchup

  • February 21, 2014

Nothing about Downton Abbey in this article By the end of season four of Breaking Bad, chem teacher gone wild Walter White (Bryan Cranston) had killed just about everyone worth[…]

Music & Musicals · Reviews

1

Marion Davies and Bing Crosby are Going Hollywood! But only one of them makes it

  • February 20, 2014

“Praise the Lord and pass the absinthe!” When Marion Davies first met William Randolph Hearst, she was a Ziegfeld Follies showgirl, and a showgirl she remained. She had an uncertain[…]

Reviews

2

Spike Jonze’s Her and the Essence of Intimacy

  • February 19, 2014

Samantha’s voice may have a loving tenor, but the words themselves are mournful, and it’s easy to see why. So long as the two remain together, Theodore cannot live to[…]

Reviews

3

The You and Me Inside Llewyn Davis

  • February 18, 2014

“We’ve consumed the romanticism of the artist, and now we’re busily consuming the history of that consumption.” It’s an accomplishment to produce a period piece whose authenticity comes through the[…]

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