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Teenage lesbians gleefully terrorize Sweden Mention teenage love and lust, and images immediately arise of tabloid TV shows and creepy Internet chat rooms overrun by drooling chicken hawks and FBI[…]
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Teenage lesbians gleefully terrorize Sweden Mention teenage love and lust, and images immediately arise of tabloid TV shows and creepy Internet chat rooms overrun by drooling chicken hawks and FBI[…]
Crime · LGBT & Queer · Reviews
These boys do, and so do the girls The credits for Boys Don’t Cry list “Killer Films” as one of the production companies, and that’s as apt a description of[…]
Experimental & Underground · Reviews
The legendary head flick from the ’60s in a polished new print “Head movies” – those mind-bending epics like 2001 or El Topo that are supposedly best viewed under the[…]
It’s not just Ryan who needs saving. My friend Kevin and I were lingering over one too many bourbons. The jukebox was playing “What If God Was One of Us.”[…]
Fritz Lang brings the terrors of noir into the bright kitchens of America. Watch that coffee pot! In Bright Lights 12 devoted to film noir, Gary Morris locates the malaise[…]
Composers · Music & Musicals · SF & Fantasy
Serling’s groundbreaking series was also a warm haven for Hollywood’s greatest composer Last weekend I purchased the Herrmann Twilight Zone double-CD, and I’ve played it about ten times by now[…]
Exploitation & Erotica · Producers & Studios · Reviews
The beloved low-budget exploitation company sampled New World Pictures (1970-1983) was the brainchild of Roger Corman. It was his second attempt (after The Filmgroup in the early ’60s) to run[…]
Experimental & Underground · Reviews
What better way to attack the monolith of social/sexual repression than by attacking the “sanctity” of the linear narrative? “The Official cinema of the world has run out of breath.[…]
Jean Arthur: The Actress Nobody Knew, by John Oller (New York: Limelight Editions, 1999), Trade paper, $18.95, 358pp, ISBN 0-87910-278-0. Jean Arthur would seem to be an impossible subject for[…]
VideoHound’s War Movies: Classic Conflict on Film, by Mike Mayo (Detroit: Visible Ink Press, 1999), Trade paper, $19.95, 638pp, ISBN 1-57859-089-2. VideoHound’s been shifting gears lately. Earlier on they concentrated on[…]
100 Years of Oz: A Century of Classic Images from The Wizard of Oz collection of Willard Carroll, by John Fricke (New York: Stewart, Tabori, & Chang, 1999), Cloth, $29.95,[…]
Detours and Lost Highways: A Map of Neo-Noir, by Foster Hirsch (New York: Limelight Editions, 1999), Trade paper, $20.00, 358pp, ISBN 0-87910-288-8. Foster Hirsch’s The Dark Side of the Screen: Film[…]
The Ultimate Directory of Film Technicians: A Necrology of Dates and Place of Births and Deaths of More Than 9,000 Producers, Screenwriters, Composers, Cinematographers, Art Directors, Costume Designers, Choreographers, Executives,[…]
Eccentrics of Comedy, by Anthony Slide (Metuchen, NJ:Scarecrow Press, 1998), Hardcover (no dust jacket), $36.00, 168pp, ISBN 0-8108-3534-7. I was sure the world had gone mad when I retrieved this[…]
The Go Fish queen goes fishing again – this time for gay boys and the men and women who love them Rose Troche’s Go Fish (1994) was one of the[…]
Directors · Experimental & Underground
Forget all those other boring indie brother teams – these guys were the original geniuses of cinema’s bargain basement. The sudden death, disappearance, or withdrawal of a key actor during[…]
The Master speaks on life, art, and Carlos Castaneda Federico Fellini’s fantasy world, which has become more dreamlike over the years, shows us the spectacle of life. Yet, paradoxically, the[…]
Actors & Personalities · Music & Musicals · Reviews
“Hey fella, twirl that old propella” Hollywood producer Merriam Cooper loved three things: airplanes, the tropics, and giant gorillas.1 In Flying Down to Rio, Cooper’s 1933 airborne musical, he went[…]
The “velocity” of this misguided AIDS drama never materializes Director Dan Ireland made an impressive debut in 1997 with The Whole Wide World, a sleeper about the 1930s pulp writer[…]
Okay, American Beauty is shallow, pretentious, smug, condescending, and parochial. It radiates the traditional show-biz contempt for the talent-free slobs who inhabit American small towns and suburbia, cut off from[…]
