All Hail the Superbrat! Patty McCormack is The Bad Seed
“What would you give me for a basket of dead lovebirds?” The Bad Seed came out in 1956, the same year as Carousel and Tea and Sympathy. But while the[…]
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“What would you give me for a basket of dead lovebirds?” The Bad Seed came out in 1956, the same year as Carousel and Tea and Sympathy. But while the[…]
The cruelty and clarity of life in a sand pit in Japan, circa 1964 Revisiting past pleasures – long-past pleasures in this case – has its particular perils. In the[…]
Dykes in distress in Robert Aldrich’s late ‘60s masterpiece Robert Aldrich ranks with Samuel Fuller and Nicholas Ray as one of the “golden boys” of postwar commercial cinema whose formal[…]
Exploitation & Erotica · Reviews
Can your heart stand it? More Radley Metzger! The title of Metzger’s “second film” (second by his own reckoning; other sources list it as his fourth, after Dark Odyssey, The[…]
Actors & Personalities · Interviews
Dogme secrets revealed by Lars von Trier’s “most promising actress” The 17th International Short Films Festival of Aix en Provence, in December 1999, apart from the competition, focused on Scandinavian[…]
Experimental & Underground · Reviews
What do Sasquatch droppings and flying saucers have in common? George Kuchar, of course. Underground film impresario Jack Stevenson tells the story of how George Kuchar dealt with a problem[…]
Activist & Political · Documentaries · Reviews
The eminent Swiss documentarian looks at saints and sinners of history – without saying which are which “My films revolve around absence,” Swiss documentarian Richard Dindo has said, but the[…]
Making art in the most unlikely circumstances Edgar G. Ulmer (1904-1972) was one of many beneficiaries of the wave of auteurism that galvanized critics in France in the 1950s and[…]
Directors · Exploitation & Erotica · Reviews
Plan 9 from Outer Space; Glen or Glenda; Jail Bait; Bride of the Monster One of my fondest memories of a communal movie experience is seeing my first Ed Wood[…]
The kids are not all right! Riot girls have a long and noble history that extends far back beyond Hole and Courtney Love. No doubt the experts in this realm[…]
Sin in Soft Focus: Pre-Code Hollywood, by Mark A. Vieira. (New York: Harry N. Abrams, Inc., 1999). Cloth, $39.95, 340pp. ISBN 0-81094-475-8 “Pre-Code” is the catchall term, now familiar to[…]
The Werewolf Book: The Encyclopedia of Shape-Shifting Things, by Brad Steiger. (Detroit: Visible Ink Press, 1999). Trade paperback, $19.95, 397pp. ISBN 1057859-078-7 The werewolf, like most other monsters of folklore, has[…]
Little Joe, Superstar: The Films of Joe Dallesandro, by Michael Ferguson. Laguna Hills, CA: Companion Press, 1998. ISBN 1-889138-09-6, Trade paper, $18.95. Monique von Vooren was mesmerized by his “translucent skin”; Sylvia Miles called it[…]
The New Historical Dictionary of the American Film Industry, by Anthony Slide. Lanham, MD: Scarecrow Press,1998. Oversize hardcover, ISBN 0-8108-3426-X, 207pp, $55.00. Film dictionaries have become a genre unto themselves lately, and[…]
Directors · Exploitation & Erotica · Interviews
Fun in the New World Corman founded New World in 1970; it was his second attempt to control production and distribution (after the ill-fated Film Group, which lasted a couple[…]
Directors · Experimental & Underground · LGBT & Queer
Ecstasy for all! says the pied piper of queer experimental film Every movement has its muses. James Broughton probably would have copped to being a muse, or perhaps more accurately,[…]
Crime · Noir · Reviews · Uncategorized
Good golly, Mr. Holly! In one of the many extras in Criterion’s sumptuous DVD presentation of Carol Reed’s The Third Man, Peter Bogdanovich calls the film “the greatest non-auteur film[…]
The film suffered almost as much as Joan before arriving in a gorgeous DVD. In spite of the hype, DVD is more often promise than fulfillment. Many, perhaps most, of[…]
Criminal high jinks with a different kind of family Family, aka “the F word,” comes in many forms, or so says Hermine Huntgeburth’s bittersweet black comedy The Trio (1998). This[…]
Ari’s a mess – it’s in his kiss Ana Kokkinos’s debut feature Head On was one of the more distinctive entries in San Francisco’s 1999 Lesbian and Gay Film Festival,[…]
