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This article appeared originally in the all-Hong Kong issue of Bright Lights #13 (1994). * * * Among their thrills, Woo’s homoerotic bullet ballets offered welcome distraction from 1997’s doomsday[…]
Asian · Directors · Interviews
This article appeared originally in the all-Hong Kong issue of Bright Lights #13 (1994). * * * Hong Kong’s master of balletic blood ‘n bulletplay speaks John Woo, one of[…]
Asian · Historical & Epic · Reviews
A 19-year-old newcomer and a middle-aged veteran steal the show from two legends of Hong Kong cinema Director Ang Lee would not be an obvious first choice to direct a[…]
Activist & Political · Documentaries · LGBT & Queer · Reviews
A grim intersection of homophobia and hysteria ruins two men’s lives America’s criminal justice system has been under increasing attack in the past few years, and it’s hardly surprising. The[…]
The latest attempt at a “gay crossover date movie” almost succeeds Just One Time will trigger déjà vu in some viewers. This feature-length comedy is an expanded version of a popular[…]
Asian · LGBT & Queer · Reviews
Like the macho dancers it portrays, this uneasy mix of melodrama and realism never quite gets it up With Macho Dancer (1988), the late Filipino director Lino Brocka (1940-1991) pioneered a[…]
Soldier by day, tranny slut by night Giorgios Katakouzinos’s 1982 feature Angel (Aggelos) is one of the most acclaimed and popular Greek films ever, allegedly having been seen by one Greek[…]
A pristine transfer of one of the Bard’s most gothic – and gayest, in Olivier’s hands – works Criterion is continuing its mining of the wonderfully rich Janus film catalog[…]
Wendy Hiller triumphs in the fine 1938 film of Shaw’s masterpiece The plays of George Bernard Shaw have long been a cinema staple. Works like Caesar and Cleopatra, Saint Joan, Major[…]
Is Tom Neal’s Al Roberts really Fate’s Plaything or just the ultimate pushy bottom? Edgar G. Ulmer is one of the more provocative auteurs in movie history. His provenance is impeccable[…]
Schoolboys on strike, farting contests, and a mysteriously acquired washer make up the world of this Japanese classic Of the three great directors of classical Japanese cinema, Yasujiro Ozu (1903-1963) remains[…]
A tacky theatrical troupe finds fun and romance – and occasionally a paycheck – on the road in Fellini’s classic Variety Lights (1950) is a rarity in the career of Federico[…]
Documentaries · Experimental & Underground
The “moment” is both defined and celebrated in this exceptional documentary “I don’t know what truth is. Truth is something unattainable. We can’t think we’re creating truth with a camera.[…]
A heady tour of alternative world cinema from one of Europe’s oldest festivals Repentant sinners, ideological misfits, vindictive peasant workers, obsessed lovers, and aging prostitutes are but a few of[…]
This article appeared originally in the all-Hong Kong issue of Bright Lights #13 (1994). * * * A comprehensive look at a seminal decade in one of the world’s great[…]
This article appeared originally in the all-Hong Kong issue of Bright Lights #13 (1994). * * * HK’s martial arts film stylishly bridge time, space, and now cultures More popularly[…]
Japanese silent films are no longer silent in this fabulous – and expensive – DVD-ROM Western interest in Japanese film falls mainly into three realms: the Godzilla movies and their endless cheesy[…]
“La dolce vita” is more bitter than sweet in these razor-sharp rarities DVD has become the preeminent forum for high-art cinema on video, and the trend shows no sign of[…]
Directors · Experimental & Underground · Reviews
The arthouse staple gets a gorgeous makeover in this DVD set brimming with extras Jean Cocteau (1889-1963) has been called the most versatile artist of the twentieth century, and in[…]
Tubercular yakuza, scandalous artists, and postwar paranoids duke it out with the world For a variety of reasons, Western audiences have enshrined Kurosawa as the preferred director of Japan’s golden[…]
