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Essays

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Falling Angels, Rising People: A Brief Look at Sex-and-Spirituality in Cinema

  • November 1, 2006

Wings not desired Simply assuming that human goodness will triumph over its opposite is — as everybody knows — an immature stance. It makes us easy targets for scoundrels of[…]

African American · Essays · Genres · Lists · Movies

0

Routes to the City: The Ways of the New Black Films

  • November 1, 2006

“It’s independent thinking without the protection of an ‘indie’ label.” While hosting the Academy Awards in 2005, Chris Rock made the following claim: black films don’t have real names. “Barbershop?[…]

Movies · Reviews

0

“We Still Have to Work Just as Hard as Before”: Michael Glawogger’s Workingman’s Death

  • November 1, 2006

“The tourist says that it’s a lot to carry and the worker agrees, then gets on with his work.” Fifteen years after the fall of the Iron Curtain and the[…]

Movies · Reviews

0

Hairy on the Inside: Surrealism and Sexual Anxiety in Neil Jordan’s The Company of Wolves

  • November 1, 2006

“If there’s a beast in men, it meets its match in women too.” The Company of Wolves (1984) — a first foray into horror by future Interview with a Vampire[…]

Genres · Movies · Noir · Noir · Reviews

0

Notes on a Neo-Noir: John Dahl’s Red Rock West

  • November 1, 2006

“Cage’s Michael is a model of the terse, slightly wasted working-class guy who acts as a punching bag for malevolent Fate.” Film noir persists long past its “golden era” of[…]

Genres · Movies · Noir · Noir · Reviews

1

Pricks in December: Mike Leigh’s Naked

  • November 1, 2006

“Oh, that is excessive” In Naked, Mike Leigh combines irony and a very strict form of realism, which might have been the predominant elements of his style for some time,[…]

Genres · Movies · Noir · Noir · Reviews

3

Beyond the Golden Age: Film Noir Since the ’50s

  • November 1, 2006

“There is only Noir!” The Noir Vision To discuss the history of film noir since the ’50s is to fly in the face of conventional studies, which assume the “genre”[…]

Genres · Movies · Noir · Noir · Reviews

0

Faulkner and Film Noir

  • November 1, 2006

“Some good pictures come out of Hollywood. God knows how, but they do.” – William Faulkner In their movie Barton Fink (1991), Joel and Ethan Coen presented a character, W P.[…]

Genres · Movies · Noir · Noir · Reviews

2

Noir Country: Alien Nation

  • November 1, 2006

“The problem, of course, is the goddamned Industrial Revolution!” – Monica Morgan, Dialogues on Backwater Capitalism “All machines lie!” – Ann McKim, Lost Paradise What is it about the ciy that encourages (or[…]

Artists · Directors · Movies · Reviews

0

Train to Nowhere: On Renoir’s La Bête Humaine

  • November 1, 2006

“Now it is a world of studio sets and the precise control of the effects of light and shadow.” Of the remarkable series of films directed by Jean Renoir that[…]

Directors

0

What Time Now? Catching Up Hours in Tsai Ming-liang

  • November 1, 2006

What is the best way of placing a body? The opening scenes of The River (1997) are spent trying to make a body move and work in a realistic way. A film[…]

Reviews · SF & Fantasy

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Superman Returns II: Superman . . . Bush . . . Perry White . . . Karl Rove . . .

  • November 1, 2006

It’s all here, including the “Mission Accomplished” moment Bryan Singer’s Superman Returns, which was the number one movie in America on its opening weekend in June 2006, is a listless,[…]

Reviews · SF/Fantasy

1

Superman Returns I: Superheroes for the New Millennium

  • November 1, 2006

“This new millennium hero lives in a fortress of solitary and alienated hyper-masculinity.” Note: This article contains spoilers. I never thought I would see the day when I would write[…]

Actors & Personalities

0

Steele Vision: The Face of Italian Cult Cinema

  • November 1, 2006

“Again the camera shows how the imperfection of Asa’s face does not present an insurmountable obstacle to her being ultimately attractive.” Within cinema scholarship there is a reluctance to address[…]

Festivals & Awards

0

Less Is Less: The 44th New York Film Festival

  • November 1, 2006

Past trumps present in this unremarkable fest If, as proclaimed by its director Richard Peña, the New York Film Festival is a “kind of report on the state of cinema,”[…]

Actors & Personalities · Artists · Directors · Interviews · Movies

0

What’s Wrong with Fast Food? A Conversation with Richard Linklater and Eric Schlosser on Fast Food Nation

  • November 1, 2006

With additional comments by Catalina Sandino Moreno and Ethan Hawke Introduction The distributor’s website describes Richard Linklater’s Fast Food Nation, a dramatic feature based on Eric Schlosser’s best-selling book, as[…]

Reviews

0

No Tobacco Juice, but Funny! Monster House, Rockin’ in 3-D!

  • November 1, 2006

Bob Zemeckis and Stephen Spielberg want your money. Give it to them. It’s sad but true: no one does spit tobacco juice on the audience in Monster House. But even[…]

Reviews

0

Hating Marie: Why the French Still Don’t Like Her

  • November 1, 2006

Bring us the head of Sofia Coppola, ‘k? Of all cinema publics, France holds the reputation for the most cinephiles, for being the home of the invention of the “auteur.”[…]

Festivals & Awards

0

On the Prowl with MadCat: On the 2006 MadCat International Women’s Film Festival

  • November 1, 2006

Provocative and visionary! The MadCat Women’s International Film Festival is based in San Francisco, but one hesitates to call it a “San Francisco festival.” Programmed for the past ten years (this September[…]

Artists · Directors · Interviews · Movies · Reviews

0

Returning to Life: Talking with Almodovar, Penelope Cruz, and Carmen Maura at Cannes

  • November 1, 2006

“I do not have the serenity of women. But I admire it.” Pedro Almodovar’s new film Volver (Return) features an unusual number of deaths. Penelope Cruz, in the best performance[…]

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