Lardani’s Signature: Technical Mastery and Apparent Glitch in Eugenio Lardani’s titles for Sergio Leone’s The Good, the Bad, and the Ugly
“These features distinguish Lardani’s credit from the rest of the sequence in a very dramatic way — unlike the other titles, which are immediately obvious as credits, it is possible to miss his credit entirely, a strange distinction to choose given his role and, according to his son, complete freedom in creating the design. It is almost as if his title card is hidden in plain sight.”
