“While I get Sam Goldwyn’s point about messages and Western Union, I think Shakespeare is always sending the same one: to overcome our worst weaknesses, first we must see them[…]
With such recent releases as The Perks of Being a Wallflower (2012), Moonrise Kingdom (2012), and The Spectacular Now (2013), there continues to be no shortage of movies about young[…]
Actors & Personalities · Reviews · TV & Streaming · Westerns
Today is actor Richard Boone’s birthday (June 18, 1917 – January 10, 1981). We’re celebrating it by reprinting Alan Vanneman’s pithy write-up (previously published in issue 48, May 2005) of[…]
“What befalls Veta can perhaps be justified as part of the film’s critique of psychiatry; after all, her unfortunate experience mocks the short-sightedness and arbitrary operation of the mental health[…]
“Everything goes on in the mind of a man who, nominally at least, has absolute power at court and who, until a few moments before, felt secure in the mutual[…]
“Godzilla has no anarchy or eccentricity, much less any experimental spirit or Japanese weirdness. Edwards is too preoccupied with turning the movie into something new, serious, and, worst of all,[…]
Is the filmmaker tyrant, aesthete, ringmaster, or hermit? For whom does an artist create? It is a question frequently put, perhaps more to writers than to others, and perhaps the[…]
“If Godzilla is not benevolent but merely indifferent, then his mercy amounts to that of a man sidestepping an anthill instead of trampling it under his heel.” Conventional academic and[…]
Activist & Political · Documentaries · LGBT & Queer · Reviews
Discussed in this essay: The Battle of AmFar (Rob Epstein and Jeffrey Friedman, 2013); Dallas Buyers Club (Jean-Marc Vallée, 2013); How to Survive a Plague (David France, 2012); The Normal[…]
Activist & Political · Experimental & Underground · Reviews
“It’s not blood, it’s red” – Jean-Luc Godard A few weeks ago Abdelaziz Bouteflika was re-elected for a fourth time as president of Algeria with 81.5% of the vote. Most[…]
Exploitation & Erotica · Reviews · Writers & Critics
In honor of Vincent Price’s birthday (May 27, 1911-October 25, 1993), we present Sean Nortz’s thrilling exegesis of one of the actor’s most intriguing and downright bizarre films. (After this piece[…]
Animation · Historical & Epic · Reviews
In honor of Memorial Day, we present Christopher Dow’s lively history and critical analysis of World War II’s favorite cartoon fuck-up, Private Snafu, which appeared originally in Bright Lights in[…]
“[Jack] Kerouac declared in his preface to Galloway that the young artist ‘is colored by his symbols. His hue is vivid: he postures.’ This because the artist is in growth,[…]
“Are we trapped like Truman? Is this why we want him to leave his world? Then what will we do? Turn off the set? Leave our society with its endless[…]
“Could Scottie’s real beau ideal be Gavin Elster?” Vertigo is famously about obsession. Brian Da Palma’s homage/rip-off is even called Obsession. But what is Scottie’s obsession, really? San Francisco’s past[…]
This is the first of two articles riffing on found footage horror and new media. The second is Alexandra Heller-Nicholas’s “Found Footage Horror #2: Textures of Silence and Decay: Marble Hornets and[…]
With the latest version of Godzilla opening on May 16, we were reminded of other 1950s drive-in “classics” featuring everything from irradiated giant bugs to women on other planets who look suspiciously[…]
Documentaries · Festivals & Awards · LGBT & Queer
Portland, Oregon’s notoriety of late has come mainly from being satirized as over-the-top PC (Portlandia), its status as a foodie and craft beer paradise, a haven for runaway teens and activists,[…]
We at Bright Lights continue our celebration of Be Kind to Animals Week with this brief revisit to Wendy and Lucy, specifically a brief, evocative lateral pan that follows Wendy’s[…]
Who’d have dreamed that the 1960s were as dumb as the 1990s? And that Shirley MacLaine was the transitional figure between the serious 1950s and the brainless decade that followed?[…]
