A Double Dysfunctional Mickey Xmas
I’ve survived the family Xmas, and what saved us was the power of the movies. This got me to thinking about all the best dysfunctional family holiday films–I don’t mean[…]
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I’ve survived the family Xmas, and what saved us was the power of the movies. This got me to thinking about all the best dysfunctional family holiday films–I don’t mean[…]
The by now hideously distended Muppet franchise received another subpar entry on network television last night in the form of “A Muppet Christmas: Letters to Santa”. Is anyone else willing[…]
Charlie Kaufman’s Synecdoche, New York is not one of those films (e.g., Baz Luhrman’s Australia) that lurches toward the audience with its metaphorical arms wide open, shouting “Love me!” On[…]
Actors & Personalities · Reviews
Time keeps on slippin’ and the internet expands fast as the universe itself, which means we should all link to each other, lest distance grow long. I’ve had transcendence on[…]
Finally saw RACHEL GETTING MARRIED, which is like a Demme film reunion party that everyone’s invited to, but after you leave, you never see any of them again. And there’s[…]
I’ve been revisiting the Sean Connery Bonds lately, on widescreen projection, where the immaculate detail and lush photography of airports, country roads, mosques, and Ealing Studio interiors come alive. But[…]
If you can’t remember, I’ll tell you, tonight is that greatest of all time travel movies, La Jatee (1961) at 1 AM EST on Turner Classic Movies. It’s short, it’s[…]
Pascal . . . Kierkegaard . . . Nietzsche . . . Zemeckis?
Crime · Music & Musicals · Reviews
“Paris at night in black-and-white with Miles on the soundtrack? It’s a perfect fit.”
“The surprise musical number can represent a facile avoidance of complexity, a moment of true strangeness, or a way of harmonizing existing, underlying themes.”
Festivals & Awards · LGBT & Queer
Feisty orthodox Jewish dykes, globe-trotting ladyboys, fascistic Armani queens you know, the gang
Festivals & Awards · LGBT & Queer
Seeing queer lives from the U.S. and Canada to South Africa and Iran
“Think, for Pete’s sake. What have you got now?”
“Don’t these children deserve the respect of a beautiful film?”
The return of Jules and Jim?
Activist & Political · African American · Reviews
“Wife, get a real life for yourself. Career woman, the career isn’t everything. Hussy, men still marry ladies. Lesbian, explore your ‘male’ issues … “
The Italian (Reginald Barker, 1915) and Traffic in Souls (George Loane Tucker, 1913) The Italian of producer Thomas Ince’s 1915 film is Beppo Donnetti, played by George Beban in a performance[…]
How to describe the films of Charlie Kaufman . . . Ingmar Bergman with laughs? Close, but that makes Kaufman sound too much like Woody Allen, a useful comparison maybe,[…]
Before standardizing the topography of noir with Murder My Sweet, Edward Dmytryk made the nervy little “coming home from the war” film Til the End of Time. A lower budgeted[…]
