Sanshiro Sugata: Kurosawa’s Elegy for the Reluctant Kamikaze
“Sanshiro is ultimately after spiritual gain — to achieve the purity he found in the moonlit flower.”
Category: Asian
Screening Hong Kong: The 33rd Hong Kong International Film Festival
One of the world’s largest cinema events is also one of the most ambitious
Actors & Personalities · Asian · Silents
The Goddess in Her Element: Ruan Lingyu in Shanghai
“This is an actress who shows excitement down to the curl of her fingers, and whose face reveals every kind of mercurial change.”
Ghosts of the Present: On Aditya Assarat’s Wonderful Town
“The film is both a bittersweetlove story and a memorial to the tsunami victims.”
Asian · DVD & Blu-ray · Reviews
DVD of the Week: Come Drink With Me (1966)
It’s not the typical kung fu movie in that the action is not very well choreographed. I don’t think actress Cheng Pei-pei could do too many stunts. But director King[…]
The Poisoned Story: The Myth of Magic in Wait ‘Til You’re Older
“Even the least imaginative people are incredulous about aging: surely this isn’t the only story, the only body I get to inhabit.” To start off, Hong Kong films may not[…]
Butterfly Dream: Tsai Ming-liang’s I Don’t Want to Sleep Alone
“There’s no overt sexuality to Rawang’s care for Hsiao Kang. It’s a tender act of love, a selfless giving of himself to another.” With I Don’t Want to Sleep Alone[…]
Classic Hong Kong Action Cinema, you are Avenged!
Fans of Hong Kong action cinema have long had to wade through murky, treacherous terrain, even with the arrival of DVD: bad transfers, faded, junky prints, badly cropped pan&scan;[…]
Actors & Personalities · Asian
Beauties and Furies: Hong Kong’s New Wave of Women Stars
“The women of To’s world are not just endearingly kooky, but often unacceptably bizarre and amoral in their excited reactions to events.” Five years ago, I was starting to think[…]
Miike’s IMPRINT
Takashi Miike’s Imprint is being advertised on its DVD box cover as “Banned From Cable Broadcast.” Although other episodes (notably, Dario Argento’s Jenifer) were partly censored, of the 13 one-hour[…]
Reunifying Identities: North and South in Contemporary South Korean Cinema
Can cinema do what politicians cannot? A 2003 article in the New York Times observed that movies in South Korea are contributing toward anti-American feelings among young people.((James Brooke, “When[…]
Notes on Naruse: An Auteur Ascends
Pitch-black pessimism, unsparing emotional truths, and women on the verge In the eighties, an impressive full-scale retrospective of Mikio Naruse’s films traveled the world and his reputation in the West[…]
How Sweet to Be a Cloud? Fancy and Fucking Collide in Tsai-Ming Liang’s Latest
Tsai pushes the art/porn envelope — or does he? With The Wayward Cloud (Tian Bian Yi Duo Yun — literally “A Cloud at the Edge of the Sky,” 2004), Tsai[…]
Asian · Directors · Interviews
The Immortality Blues: Talking with Fruit Chan About Dumplings
And other tasty subjects Fruit Chan’s Dumplings provoked unprecedented attention at the 2005 Melbourne International Film Festival, first and foremost because of its controversial and idiosyncratic narrative, but also because[…]
The Cross and the Ukelele: Seijun Suzuki’s Princess Raccoon
Suzuki blows morning glories “No man should love a raccoon.” Wise words indeed, even if they address a problem few will encounter, but that’s one lesson taught in Seijun Suzuki’s[…]
Train to Somewhere: Hou Hsiao-hsien Pays Sweet Homage to Ozu in Café Lumière
Hou honors the master while remaining true to his own vision
Compliments to the Chef: Three . . . Extremes: Dumplings Expertly Mixes Social Critique and Questionable Cuisine
Bring some dramamine to Fruit Chan’s best film to date
Asian · Essays · Exploitation & Erotica · Thrillers & Action
Against Pleasure, Against Identification: Feminism, Cultural Atheism, and the Tragic Subject (Part One)
Rescuing feminism from rape and queer theory
Asian · Directors · Interviews
Talking to Hirokazu Kore-eda: On Maborosi, Nobody Knows, and Other Pleasures
“I simply want to look at people as they are.”
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