Regular or otherwise, interesting films famously have the power to take us inside other people’s heads. * * * In the 2014 film Kumiko, The Treasure Hunter, director/co-writer David Zellner[…]
It’s more than magic * * * With Rachel Weisz as a fourth-century intellectual surrounded by far from intellectually questing males, Agora was Spain’s most commercially successful film of 2009.[…]
Activist & Political · Essays · War
American Sniper becomes neither a post-ideological assertion of the nobility of the soldier forced to reflect on his own beliefs, nor a latter-day western investigating the presence of violence at[…]
From the margins, both a “crazy man” and visionary artists can ask: How can leaders govern when language has been debased and words no longer have true meaning? * *[…]
Once a film gives up on originality, it immediately descends into nihilism. Whatever sensory pleasures such a film may offer, the underlying assumption is that the entire experience is empty[…]
Drama · Essays · Writers & Critics
Lincoln (2012) & Wolf Hall (2015)/Les Miserables (1933) & Great Expectations (1946/2012) * * * So, notwithstanding humanist art or realistic biography, we go on hurting each other. “Everybody hurts,” as[…]
When the technology of transmitting typed words or smartphone photos and GoPro filming accompanies our every movement and all this runs far ahead of thought, a culture leaves behind both[…]
DVD & Blu-ray · Essays · Historical & Epic · Writers & Critics
He was the spectator at his own drama, like a person at a play he doesn’t understand. – Victor Hugo1 “On the other hand, I don’t want to do Petronius[…]
Consume my heart away; sick with desire And fastened to a dying animal It knows not what it is; and gather me Into the artifice of eternity. Once out of[…]
Essays · New Media · SF & Fantasy · Writers & Critics
“What Jonze, Coover, and Švankmajer are all playing with in their distinctive, varying shades of dark humor are the dual perspectives of the Spielbergian audience, absorbed in the protagonists’ fantasies,[…]
To be clear, The Holly and the Ivy is not mistakable for a lost gem from Renoir or Mizoguchi. Yet it does make the most of a story told “in[…]
Introduction This essay uses The Crow, Dark City, and Knowing to trace director Alex Proyas’ repeated thinking through of a philosophical problem using a stock of images that derives from[…]
Essays · Experimental & Underground · Silents · Sound & Language
“Though standard critical appraisals would deem Tomatoes a deliberately crude affront to modern technical sophistication, it is itself the sophisticated artifact, its small rebellion resonating more strongly in a media[…]
A respectable and due measure of column inches has been devoted to Pawel Pawlikowski’s latest film, Ida, but as the director himself has intimated, much of it has concentrated on[…]
“Certainly Kit’s story, like that of Charles Starkweather and indeed, that of Warshow’s gangsters, will end in his solitary demise, precisely because his actions have set him apart from others.[…]
When space seems polluted with far too many Superbeings, maybe cinema is not the first place to go for relief. Yet for those who have not given up looking for[…]
Activist & Political · Essays · Horror · Reviews · SF & Fantasy
There is a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can’t take part; you can’t even passively take part,[…]
Actors & Personalities · Essays · LGBT & Queer
“The privileging of star persona over actor’s craft insists that sex within a narrative cannot, in fact, be a purely storytelling tool: it is required to be both a character[…]
“The most powerful aspect of Wolfen is not, then, its status as an exemplary and indeed essential period piece, but its unusual situation of contemporary New York City within the[…]
By means of horror?
