“It Seems Familiar but I Can’t Quite Remember”: Amnesia and the Dislocation of History and Gender in Random Harvest (1942)
“Whose stories do these films really tell?”
Category: Essays
The New Lurid: Cinema’s Rape Disavowal Fantasy
“They rapin” everybody out here.” — Antoine Dodson
A Cinema of Satyagraha? A Client-Centered Approach to Film Spectatorship
“In our devotion to realism-as-catharsis, we’ve become so obsessed with psychologizing fictional characters that we forget we are the ones who need humanizing.”
Why Do We Crave Horror? Evolutionary Psychology and Viewer Response to Horror Films
“We do not realize that ‘normal’ behavior needs to be explained at all.” —Laura Cosmides “Monsters today seem to be everywhere, and they cannot be destroyed. ” —Stephen Prince
Essays · Historical & Epic · Music & Musicals · Writers & Critics
Boris Godunov in America: Notes on a Meyerhold Production Resurrected*
“My God! — cried out a querulous voice within me — is it possible that we, artists of the stage, are doomed by the materiality of our bodies to eternal servitude and the representation of crude reality?” — Stanislavsky, questioning his Realistic method after a failed 1904 production of symbolist one-act plays by Maeterlink2 “The stage is art . . . There’s a genre painting by Kramskoy in which the faces are portrayed superbly. What would happen if you cut the nose out of one of the paintings and substituted a real one? The nose would be “realistic” but the picture would be ruined.” — Chekhov, explaining to an actor why offstage sounds of croaking frogs and buzzing dragonflies would not render a 1898 production of The Seagull more “realistic”3
Documentaries · Essays · Experimental & Underground
Los Angeles in Theory and Practice: Thom Andersen’s Los Angeles Plays Itself
“In a powerful and precise encomium, Andersen extols the virtues of what he deems to be a kind of homegrown neo-realism.”
Essays · Noir · Writers & Critics
Ossessione: Shabby Little Shocker?
Or Advanced Guide to Cinematic Survival?
Outstanding Defense Mechanisms: The Phrenology of Martin Scorsese’s Shutter Island
Shutter Island might be the only psychological thriller abetted by a lack of interest in the psyche.
Essays · SF/Fantasy · TV & Streaming
Minimalist Magic: The Star Trek Look
“By treating the style of the original series as integral to the show — and not as a kind of regrettable defect — we can get a better grasp on the Star Trek phenomenon itself.”
Essays · Exploitation & Erotica · Horror
Someone to Fight Over Me: Feminism, S&M, and the Daemonic in Twilight
“The pain is my only reminder that he [Edward] was real.” — Bella (Kristen Stewart)
Animation · Essays · SF & Fantasy
Living Backward: The Millennials’ Alice
“We are but older children, dear, Who fret to find our bedtime near.” — Lewis Carroll, “Child of the Pure Unclouded Brow”
Activist & Political · Documentaries · Essays
Corn-Fed Culture: Living Large and “Eating Shit” in King Corn and Fast Food Nation
“The films analyzed here explore the (crude) question: what are the individual and social consequences of eating shit?”
The Pervert’s Guide to The Birds: Of Hitchcock, Žižek, the Maternal Superego, and Critical Confusion
“It is the search for explanation itself and the experience of the alien, disturbing, and frightening that thrills audiences.” In The Pervert’s Guide to Cinema, directed and produced by Sophie Fiennes,[…]
Licence to Kill (1989): The Last James Bond Movie
Don’t worry or question; just consume – oh, and kill
When Day Follows Night: How Soaps Produce the Surreal
“Nothing is more satisfying than the feeling that a show is about to perform a move in a new direction, something it has been conspiring to do all along.”
A German Tragedy, Turned Absurd: Fassbinder’s Satan’s Brew
“Allowing his acidity unfettered reign, Fassbinder concocts one of the most blistering excoriations of despotism ever committed to film.”
Jean Renoir’s Toni: Unreal and True
And staying forever young
The Homing Eye: Comparing James Wolcott and Judith Williamson
“Where Williamson is highly critical of films that encourage us to consume lifestyles, Wolcott’s writing appears to be an appreciation of surfaces — in fact, his whole style can be read as an analysis of ’50s textures and design elements.”
Books · Essays · Uncategorized · Writers & Critics
On the Escarpment, Off the Escarpment: It Helps When the Love Is Strong
Especially when the lovers aren’t
Essays · LGBT & Queer · Writers & Critics
Contagious Homosexuality: Cruising and Sodom and Gomorrah
“In both Sodom and Gomorrah and Cruising, homosexuality – and its alternate currents – is caught with a glance.”
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