Fifty plus Fifty: The Fifty Year Decline and Fall of Hollywood Reconsidered: The Sorrows of Ezra, as Told by Himself
He worked for Time; that can do things to a man
Category: Writers & Critics
Essays · Historical & Epic · Music & Musicals · Writers & Critics
Boris Godunov in America: Notes on a Meyerhold Production Resurrected*
“My God! — cried out a querulous voice within me — is it possible that we, artists of the stage, are doomed by the materiality of our bodies to eternal servitude and the representation of crude reality?” — Stanislavsky, questioning his Realistic method after a failed 1904 production of symbolist one-act plays by Maeterlink2 “The stage is art . . . There’s a genre painting by Kramskoy in which the faces are portrayed superbly. What would happen if you cut the nose out of one of the paintings and substituted a real one? The nose would be “realistic” but the picture would be ruined.” — Chekhov, explaining to an actor why offstage sounds of croaking frogs and buzzing dragonflies would not render a 1898 production of The Seagull more “realistic”3
Documentaries · Reviews · Writers & Critics
“Riveting”* — Not! Gerald Peary’s For the Love of Movies — The Story of American Film Criticism
Talking heads, talking of talking heads
The Pervert’s Guide to The Birds: Of Hitchcock, Žižek, the Maternal Superego, and Critical Confusion
“It is the search for explanation itself and the experience of the alien, disturbing, and frightening that thrills audiences.” In The Pervert’s Guide to Cinema, directed and produced by Sophie Fiennes,[…]
Lists · Movies · Writers & Critics
Rating Movies: Or, Seeing Stars
“I want my favorites to get the high ratings — my judgments are being challenged by anonymous forces whom I cannot confront.”
Hollywood’s Nightmare, Not Ours: On The Mist, Story (1980) and Film (2007)
Director Frank Barabont hijacks — and sinks — Stephen King’s powerful allegory of political oppression
The Homing Eye: Comparing James Wolcott and Judith Williamson
“Where Williamson is highly critical of films that encourage us to consume lifestyles, Wolcott’s writing appears to be an appreciation of surfaces — in fact, his whole style can be read as an analysis of ’50s textures and design elements.”
Books · Essays · Uncategorized · Writers & Critics
On the Escarpment, Off the Escarpment: It Helps When the Love Is Strong
Especially when the lovers aren’t
Essays · LGBT & Queer · Writers & Critics
Contagious Homosexuality: Cruising and Sodom and Gomorrah
“In both Sodom and Gomorrah and Cruising, homosexuality – and its alternate currents – is caught with a glance.”
Can’t Repeat the Past? Of Course You Can’t – and Shouldn’t
Filming The Great Gatsby in the 21st Century
Set my Polack free!
An apt cinematic analogy of the Polanski brouhaha can be found in Charles Laughton’s NIGHT OF THE HUNTER, namely the hyper-reactive old salt of the general store, Mrs. Icey Spoon[…]
Since everyone else seems to be talking about it…
…and I mean *everybody*… Jonathan Rosenbaum posted a rather damning blog entry on his website regarding QT’s “IB” that was subsequently picked up and scoffed at by a smattering of[…]
Ghidorah Attacks! Modern Narrative’s Three-Headed Monster
“The concept of pure art pure poetry, pure painting, and so on is not entirely without meaning; but it refers to an aesthetic reality as difficult to define as it is to combat. In any case, even if a certain mixing of the arts remains possible, like the mixing of genres, it does not necessarily follow that they are all fortunate mixtures. There are fruitful cross-breedings which add to the qualities derived from the parents; there are attractive but barren hybrids and there are likewise hideous combinations that bring forth nothing but chimeras.”
Directors · Essays · Writers & Critics
All Tomorrow’s Playground Narratives: Stanley Kubrick’s Lolita
“Kubrick’s 1961 film is really the first 1970s movie.”
The “Bong” Goodbye: On Thomas Pynchon’s Inherent Vice
Will Thomas Pynchon’s lightest, brightest novel put him in the Hollywood spotlight?
Klueless Kael
The upcoming release of Alain Resnais’s classic Last Year at Marienbad on Blu-ray DVD reminds us that Marienbad was one of the many formally ambitious films released in the 1960s[…]
Window to the (Critic’s) Soul
Film Criticism 101: Why You Should Recycle the Promo Packet To be sure, there are many distinct methods of film criticism that might be employed with equal, and mutually exclusive,[…]
The Complete A of Altruism: In Which the Selfish Gene Explains Everything
Except whether to laugh or cry
Out of His Head: Metaphysical Escape Attempts in the Screenplays of Charlie Kaufman
“Kaufman’s homunculi schema is an implicit mockery of our bottomless ignorance of the nature of consciousness.”
On How Things Seem: The Views of Robert Warshow
“Where Warshow distinguishes himself from Kracauer and other sociological critics is his reaction to the ‘absorbing immediacy’ of films.”
Links + BSA
