The Peculiar Kind: The Humor of Funny Ha Ha and Mutual Appreciation
“People are constantly falling back on their beds — but always in languor, never in passion . . .” It’s difficult not to be grateful to a film that introduces you to six or[…]
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“People are constantly falling back on their beds — but always in languor, never in passion . . .” It’s difficult not to be grateful to a film that introduces you to six or[…]
Artists · Directors · Movies · Reviews
“Who are you? Where do you come from?” Fabián Bielinsky’s sudden death last summer makes an unfortunate backstory to his two features, The Aura and Nine Queens, yet even this[…]
“As much as the landscape is a character in It Came From Outer Space, it dominates Antonioni’s L’Avventura . . .” The surprising affinities between the careers of Italian “art film” director Michelangelo[…]
Actors & Personalities · Reviews
“Now, Goliath was a big man.” With the release of The Kid in 1921, Charlie Chaplin had fulfilled his dream of making a full-length comedy that would be recognized as[…]
What is the best way of placing a body? The opening scenes of The River (1997) are spent trying to make a body move and work in a realistic way. A film[…]
“Again the camera shows how the imperfection of Asa’s face does not present an insurmountable obstacle to her being ultimately attractive.” Within cinema scholarship there is a reluctance to address[…]
Actors & Personalities · Artists · Directors · Interviews · Movies
With additional comments by Catalina Sandino Moreno and Ethan Hawke Introduction The distributor’s website describes Richard Linklater’s Fast Food Nation, a dramatic feature based on Eric Schlosser’s best-selling book, as[…]
Artists · Directors · Interviews · Movies · Reviews
“I do not have the serenity of women. But I admire it.” Pedro Almodovar’s new film Volver (Return) features an unusual number of deaths. Penelope Cruz, in the best performance[…]
Scorsese gets all Irish on our asses, and it works I admit it. I thought Marty had lost it. I thought he had gone all lazy and cute and Hollywood,[…]
Artists · Interviews · Stars · Writers & Critics
“Please note that even Margo Channing, threatening a ‘bumpy night’ for her hapless guests, merely fumingly forecasts. It’s a gesture of mind, not body.” Introduction Camille Paglia, the scholar and[…]
High camp in three minutes or less The idea that bigger is better may play better in the lexicon of size queens than in le cinema contemporaire. Hollywood’s insistence on[…]
Tom Sutpen’s classy review of Sleazoid Express, by Bill Landis and Michelle Clifford, certainly brought back the memories, to wit: After I came back from Vietnam in December 1969 I[…]
Edward Copeland at The House Next Door has written a great post concerning film monologues. After considering what makes a great film monologue, he describes in detail 5 stellar examples.[…]
Painting influences film. Film influences painting. The portraits of Los Angeles painter and performance artist Stacy Lande (pronounced, “lan-dee”) appear equally influenced by 19th Century Symbolism, 20th Century Expressionism, and[…]
Exploitation & Erotica · Writers & Critics
Here in America we have something that, with the straightest of faces, we call our Film Heritage. What people usually mean when they invoke this solemn, unconscionably sentimental honorific is[…]
The incredibly beautiful Julie Adams, paramour of The Creature From the Black Lagoon (Jack Arnold, 1953), and object of many adolescent fantasies including, obviously, my own. What a pleasure it[…]
RECOMMENDED READING: In the September/October 2006 issue of Film Comment, writer/director Paul Schrader’s article on, “The Film Canon – What Constitutes a Cinematic Masterpiece.” This lengthy, absorbing essay has something[…]
Actors & Personalities · Silents
Anyone infatuated with silent film, like me, is always on the lookout for that one pre-talkie film that will win over the unconverted, and I think I’ve found a mighty[…]
SF & Fantasy · Writers & Critics
The classic ’60s sci-fi anthology series, The Outer Limits, was conceived by eccentric writer/producer Leslie Stevens. How eccentric?? It was Stevens who later wrote and directed Incubus (1965), starring William[…]
