Directors · Drama · Interviews
Editor’s note: This is the second director interview by our correspondent Amir Ganjavie, this one conducted at the 2015 Toronto Film Festival. The film discussed, My Mother, is being released in the U.S.[…]
Actors & Personalities · Directors · Interviews
“[H]er favorite expression of strained intensity would be less quickly relieved by a merciful death than by Ex-Lax.”
Actors & Personalities · Exploitation & Erotica · Interviews
It’s time again to tip our hat to Pam Grier, who’s 67 today (born May 26, 1949), by reposting Steve Ryfle’s interview. Here the incomparable star of Foxy Brown and[…]
Directors · Interviews · SF & Fantasy
The Lobster tries to look at how we are as people – what it means to be single, alone, or involved with someone and all of the constraints that society[…]
Directors · Drama · Interviews
For me, the idea of having an academy of muses is an impossible, if not ridiculous, idea; but, the discussions and debates that occurred among them struck me as fascinating,[…]
Asian · Directors · Documentaries · Interviews
Note: This interview was conducted in English during the Hong Kong International Film Festival in Sha Tin, Hong Kong, on 3 April 2016. The author wishes to thank Esther Yau,[…]
Activist & Political · Directors · Documentaries · Interviews
Editor’s note: This is the first of two interviews (next up: Nanni Moretti) our correspondent Amir Ganjavie conducted with directors at the 2016 Berlin Film Festival (Feb. 11-21). Gianfranco Rosi’s Fire[…]
Asian · Directors · Historical & Epic · Interviews
Hou on The Assassin: I don’t believe we should blindly obey masters. Nie Yinniang is ordered by her master Jiaxin (Sheu Fang-yi) to kill a high-ranking official, but – once[…]
Directors · Interviews · Visual Artists · Writers & Critics
MIKE LEIGH: People have said to me, “Oh, I’m surprised Turner was like that, I would have thought he would be rather Byronic and beautiful and ascetic and nervously brilliant”[…]
Books · Directors · Interviews · Writers & Critics
I could begin to see how the movie was art imitating life and then morphed into life imitating art, with such a palpable sense of the greatest director who ever lived[…]
Directors · Interviews · Middle East
I have made films both in Iran and France, so I know the conditions. In France, when funding is given, there are no strings attached to it. You are free[…]
Activist & Political · Directors · Interviews
Hope is the title, half ironic, half resolutely sincere, of a stunning film about African migrants trekking across a continent’s most forbidding landscapes to reach the promised land of Europe.[…]
My characters try to do the right things, but their feelings, their desires drag them somewhere else, so that they have to “negotiate” with themselves. And that interests me because[…]
British filmmaker Joanna Hogg pushes her brave, stripped-back and honest style further with her latest film, Exhibition. Having made a successful debut in 2007 with Unrelated, she continued to focus[…]
BLFJ News · Interviews · Writers & Critics
In the shameless self-promotion department (and because it’s his birthday), we decided to retrieve this interview with Bright Lights’ head honcho Gary Morris. Our favorite interviewer, Matt Sorrento, talked to him in[…]
Joe Walker gives us the skivvy on working with the acclaimed director of 12 Years a Slave, editing for TV versus films, music and editing, and much more. In November[…]
Sean Bobbitt talks about changes in the industry, shooting news and documentary versus dramatic features and shorts, and working with the acclaimed director of 12 Years a Slave. Sean Bobbitt[…]
Directors · Documentaries · Interviews
When a film screening is greeted first with silence, it is certainly not easy on the director. “It was so scary, everybody was so silent in the theatre we were[…]
“Salman says he identifies as a Palestinian, but does not feel a sense of nationalism. His is not the generation that still holds onto house keys and deeds to property[…]
Directors · Documentaries · Experimental & Underground · Historical & Epic · Interviews
“We wanted to do a writing of history through a sensual observance of the films. By having those details opened up, we show how the daily life was — not by explaining didactically but rather offering this inner representation.”
