We worked to create a “slow film” aesthetic, with distinct moments where it broke from the rules. Paul planned to use boredom and duration as the method, with longer takes,[…]
Asian · Interviews · Producers & Studios · Production History
What Third Window’s practices and Adam Torel’s insights provide is a view of the industry that contrasts significantly from current Japanese film research, especially in light of other exhibitors and[…]
Designers · Interviews · LGBT & Queer
Call Me by Your Name was nominated for four Academy Awards this year, including Best Picture, Best Lead Actor, Best Adapted Screenplay, and Best Original Song. In this interview, production designer[…]
The secrecy part of Secret Cinema relates very much to this digital and automated world that we are living in. People increasingly want to get away from screens. They want[…]
Actors & Personalities · Franchises & Series · Interviews
I feel like I get to go and play at it now. I mean, I take it very seriously and I do the work. But it feels more like play[…]
When it comes to design, I always try to get into the heads of the characters and then I try to map out the history of the location itself. Who[…]
Directors · Interviews · Romance
On The Love Witch: “I like to make films with a kind of dream logic. My films are a mix of reality and fantasy, or a mix of what is[…]
Activist & Political · Asian · Directors · Interviews
“India has always assigned a special sort of power to film . . . an extraordinary power to corrupt gullible masses has been given to cinema.” – Rakesh Sharma *[…]
Directors · Drama · Interviews
Editor’s note: This is the second director interview by our correspondent Amir Ganjavie, this one conducted at the 2015 Toronto Film Festival. The film discussed, My Mother, is being released in the U.S.[…]
Actors & Personalities · Exploitation & Erotica · Interviews
It’s time again to tip our hat to Pam Grier, who’s 67 today (born May 26, 1949), by reposting Steve Ryfle’s interview. Here the incomparable star of Foxy Brown and[…]
Directors · Interviews · SF & Fantasy
The Lobster tries to look at how we are as people – what it means to be single, alone, or involved with someone and all of the constraints that society[…]
Directors · Drama · Interviews
For me, the idea of having an academy of muses is an impossible, if not ridiculous, idea; but, the discussions and debates that occurred among them struck me as fascinating,[…]
Asian · Directors · Documentaries · Interviews
Note: This interview was conducted in English during the Hong Kong International Film Festival in Sha Tin, Hong Kong, on 3 April 2016. The author wishes to thank Esther Yau,[…]
Activist & Political · Directors · Documentaries · Interviews
Editor’s note: This is the first of two interviews (next up: Nanni Moretti) our correspondent Amir Ganjavie conducted with directors at the 2016 Berlin Film Festival (Feb. 11-21). Gianfranco Rosi’s Fire[…]
Asian · Directors · Historical & Epic · Interviews
Hou on The Assassin: I don’t believe we should blindly obey masters. Nie Yinniang is ordered by her master Jiaxin (Sheu Fang-yi) to kill a high-ranking official, but – once[…]
Directors · Interviews · Visual Artists · Writers & Critics
MIKE LEIGH: People have said to me, “Oh, I’m surprised Turner was like that, I would have thought he would be rather Byronic and beautiful and ascetic and nervously brilliant”[…]
Books · Directors · Interviews · Writers & Critics
I could begin to see how the movie was art imitating life and then morphed into life imitating art, with such a palpable sense of the greatest director who ever lived[…]
Directors · Interviews · Middle East
I have made films both in Iran and France, so I know the conditions. In France, when funding is given, there are no strings attached to it. You are free[…]
Activist & Political · Directors · Interviews
Hope is the title, half ironic, half resolutely sincere, of a stunning film about African migrants trekking across a continent’s most forbidding landscapes to reach the promised land of Europe.[…]
My characters try to do the right things, but their feelings, their desires drag them somewhere else, so that they have to “negotiate” with themselves. And that interests me because[…]
