Asian · Directors · Historical & Epic · Interviews
Hou on The Assassin: I don’t believe we should blindly obey masters. Nie Yinniang is ordered by her master Jiaxin (Sheu Fang-yi) to kill a high-ranking official, but – once[…]
Directors · Interviews · Visual Artists · Writers & Critics
MIKE LEIGH: People have said to me, “Oh, I’m surprised Turner was like that, I would have thought he would be rather Byronic and beautiful and ascetic and nervously brilliant”[…]
Books · Directors · Interviews · Writers & Critics
I could begin to see how the movie was art imitating life and then morphed into life imitating art, with such a palpable sense of the greatest director who ever lived[…]
Directors · Interviews · Middle East
I have made films both in Iran and France, so I know the conditions. In France, when funding is given, there are no strings attached to it. You are free[…]
Activist & Political · Directors · Interviews
Hope is the title, half ironic, half resolutely sincere, of a stunning film about African migrants trekking across a continent’s most forbidding landscapes to reach the promised land of Europe.[…]
My characters try to do the right things, but their feelings, their desires drag them somewhere else, so that they have to “negotiate” with themselves. And that interests me because[…]
British filmmaker Joanna Hogg pushes her brave, stripped-back and honest style further with her latest film, Exhibition. Having made a successful debut in 2007 with Unrelated, she continued to focus[…]
BLFJ News · Interviews · Writers & Critics
In the shameless self-promotion department (and because it’s his birthday), we decided to retrieve this interview with Bright Lights’ head honcho Gary Morris. Our favorite interviewer, Matt Sorrento, talked to him in[…]
Joe Walker gives us the skivvy on working with the acclaimed director of 12 Years a Slave, editing for TV versus films, music and editing, and much more. In November[…]
Sean Bobbitt talks about changes in the industry, shooting news and documentary versus dramatic features and shorts, and working with the acclaimed director of 12 Years a Slave. Sean Bobbitt[…]
Directors · Documentaries · Interviews
When a film screening is greeted first with silence, it is certainly not easy on the director. “It was so scary, everybody was so silent in the theatre we were[…]
“Salman says he identifies as a Palestinian, but does not feel a sense of nationalism. His is not the generation that still holds onto house keys and deeds to property[…]
Directors · Documentaries · Experimental & Underground · Historical & Epic · Interviews
“We wanted to do a writing of history through a sensual observance of the films. By having those details opened up, we show how the daily life was — not by explaining didactically but rather offering this inner representation.”
Activist & Political · Directors · Documentaries · Interviews
“They were educated in security, and these guys are raised with the concept that the word ‘Jew’ means ‘enemy.’ They all look at themselves in the mirror, and they imagine themselves to be superheroes, spy killers . . . I doubt they even saw the film before banning it.”
Directors · Experimental & Underground · Interviews · LGBT & Queer
“There was no movement! I was not part of a movement, I. Made. My. Own. Films. They. Were. Not. Part. Of. Any. Movement. You’re incapable of understanding that, aren’t you? I have to be in a category. First I’m in ‘Andy Warhol films,’ then I’m an ‘independent.’ I like good films that are worth watching, OK?”
Directors · Interviews · LGBT & Queer
“I’m just always interested in the ways in which we are not free agents, that our desires, our instincts, our anger, our determination, our survival instincts all butt against social constraints and social learning that are really deep. It’s not just a matter of changing your job or your lover.”
Interviews · Writers & Critics
“He fears the ‘Party of God’ because he reads their ‘cultural elite’ and ‘family values’ rhetoric as ‘code for [attacking] the media, the Jews, the homosexuals, the adulterers, people who do not believe in God, people who are better looking than you are — put it all together, you have a poisoned chalice.'”
Interviews · Writers & Critics
“In Meek’s Cutoff — about a community making decisions based on limited information, confronting their own attitudes toward the unknown — it seemed appropriate that the movie would end on a moment of unknowing, incompletion.”
Actors & Personalities · Directors · Experimental & Underground · Exploitation & Erotica · Interviews
“Any director who shoots a grindhouse film without exquisite, triumphant, dangerous, and naked women is doing a disservice to the genre and should move into a different field.”
Actors & Personalities · Directors · Historical & Epic · Interviews
“I’d love to be Orson’s assistant again.”
