Directors · Production History
Part I of this article told the story of how Orson Welles, while directing his legendary and never-finished Other Side of the Wind, took time out in early 1975 to[…]
Directors · Production History
2015 marks the hundredth anniversary of the birth of Orson Welles. Despite numerous biographies and critical studies, we are still piecing together the full story of his wild and complicated[…]
First daring and experimental in an era of conformity, then classical in the age of the new wave, and finally nuanced and introspective when fashionable tastes ran radical and revolutionary[…]
A self-confessed conjurer, Bergman’s films are tricky in every sense. What makes these movies so difficult is what makes life itself difficult – the overwhelming desire to know the unknowable,[…]
My characters try to do the right things, but their feelings, their desires drag them somewhere else, so that they have to “negotiate” with themselves. And that interests me because[…]
Directors · Drama · Reviews · Writers & Critics
That Anderson chose to adhere so closely to the novel indicates a lack of desire to transform or elevate the work, and, regardless of whether or not this was motivated[…]
Introduction This essay uses The Crow, Dark City, and Knowing to trace director Alex Proyas’ repeated thinking through of a philosophical problem using a stock of images that derives from[…]
Directors · Film Technology & History · Historical & Epic · Pre-Code · Religion & Spirituality · Silents
This post was adapted from the new book by Cecilia de Mille Presley and Mark A. Vieira, Cecil B. DeMille: The Art of the Hollywood Epic (Running Press, 416pp, December[…]
Activist & Political · African American · Directors · Reviews
“Do the Right Thing ends the morning after Radio Raheem’s death, but we have enough details to know how the rest of the narrative will play out. Radio Raheem was[…]
I decided to review this massive collection as some kind of masochistic indulgence, and truly it’s been a long, soul-warping, awe-inspiring yet deeply troubling, at times maddeningly boring, 25+ hours[…]
Directors · Exploitation & Erotica
What better way to celebrate Halloween than with Bert I. Gordon, budget-compromised auteur of War of the Colossal Beast, Earth vs. the Spider, Picture Mommy Dead, Empire of the Ants,[…]
Activist & Political · Directors · Festivals & Awards
The Fifth Odessa International Film Festival was destined to be unlike its previous editions. Only two months previously, Odessa suffered an unprecedented peak in civil violence with the death of[…]
Allan Dwan and the Rise and Decline of the Hollywood Studios, by Frederic Lombardi (Jefferson, NC: McFarland, 2013, 370pp, $49.95 from the publisher’s website) Allan Dwan (1885-1981) was one of[…]
Directors · Festivals & Awards
“As directors such as Godard, Herzog, and Wenders take on 3D, we sense that for this generation of the avant-garde, the goal is no longer to test the audience’s reliance[…]
Orson Welles’s Too Much Johnson is a youthful tribute to low comedy and reflects of his obsession with bygone times, cultural mores & means of expression.
Directors · Documentaries · Reviews · Writers & Critics
“Jodorowsky capitalizes on the cachet of exclusivity, the wonderful feeling of being one of the elite few who “get it,” and, in treating it like a source of esoteric wisdom,[…]
Note: Criterion has just released (August 12, 2014) Love Streams in a dual-format DVD/Blu-ray edition. See end of this article for details on extras. * * * “Every picture should[…]
“Just as Peleshian’s friend put it to Daney some time ago, one could still say that there are indeed some people in the documentary sphere in Russian (and post-Soviet) documentary[…]
Crime · Directors · Thrillers & Action
“Claude Chabrol,” David Thomson wrote in his 2010 obituary, “is the kind of figure who could be reclaimed after death.” Very well, then – four years later there is still[…]
Directors · Exploitation & Erotica · Horror · Reviews
“I can always make something work, if I have a camera.” – John Landis There are two John Landises. There’s the director equally at home with comedy as he is[…]
