Jason Mark Scott is a book seller and cinephile from the UK, with a particular interest in the 1960s New Wave cinema of France, Italy, and England. Previous writing has appeared in Bright Lights, Offscreen, and Senses of Cinema.
Welles bids farewell to Hayworth and Hollywood With Wong Kar Wai’s remake of The Lady from Shanghai (1948) set for release in 2008, it is a fitting time to re-evaluate[…]