Set my Polack free!
An apt cinematic analogy of the Polanski brouhaha can be found in Charles Laughton’s NIGHT OF THE HUNTER, namely the hyper-reactive old salt of the general store, Mrs. Icey Spoon[…]
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An apt cinematic analogy of the Polanski brouhaha can be found in Charles Laughton’s NIGHT OF THE HUNTER, namely the hyper-reactive old salt of the general store, Mrs. Icey Spoon[…]
“I’m through!”
Directors · Essays · Writers & Critics
“Kubrick’s 1961 film is really the first 1970s movie.”
Saw a couple baghead movies over the weekend and am still sleeping with the lights on. What’s so scary about a bag over a head? Who knows, but it works.[…]
Directors · Exploitation & Erotica · Reviews
It’s a shame that Ed Wood’s last non-skin film, NIGHT OF THE GHOULS (1959), had to go unseen all through the prime time of Wade Williams’ TV horror package. It[…]
In case you’re asleep at your desk (like me) I should tell you there’s a whole Chabrolian hooplah going on over at the amazing Flickhead! I’ve always liked Chabrol’s weird[…]
Actors & Personalities · Directors · Reviews
Reading Joseph Aisenberg’s excellent piece (below) I’m compelled to offer my understanding of the great Von Sternberg’s stylistic obsessiveness, especially since it’s something I understand and share. (This began as[…]
You’ll Like this Film Because You’re in It: The Be Kind Rewind Protocol, by Michel Gondry. New York: Picturebox, 2008. Paperback $16.95. 80pp. ISBN: 0-979-41538-1. If film is a religion,[…]
Maybe this has happened to you: you’re watching a film, dum de dum, suddenly… METHOD! Where did it come from and where does it go when it’s gone? Let’s take[…]
The 1970s remains, in my experience at any rate, the pinnacle for mainstream liberal understanding of slavery and the African American experience. As a child I remember being blown completely[…]
Film Criticism 101: Why You Should Recycle the Promo Packet To be sure, there are many distinct methods of film criticism that might be employed with equal, and mutually exclusive,[…]
All stars are subject to fits of madness, and if you date a daytime TV talkshow host for long enough, who knows what kind of depths of self-confessional martyrdom you[…]
Actors & Personalities · Exploitation & Erotica · Pre-Code
Hazy thoughts on the transition from real sex to digital hallucinations
Directors · Genres · Pre-Code · Reviews
“We can’t help but roll our eyes at a woman who would rather wear holes in her shoes looking for a ‘good honest job’ than roll around in money and mink.”
Kicking off the second pre-code set to come out this year, we’ve got THE CHEAT (1931, another in the “rich ne’er do well offers to ‘help’ married woman” genre. This[…]
This weekend, it being lovely and all, why not go to the movies and see OBSERVE AND REPORT? The film needs money. Writer-director Jody Hill is getting a drubbing apparently,[…]
There’s TWO pre-code sets out for spring: Forbidden Hollywood Vol. 3 and this week comes the Pre-Code Hollywood set from Universal. None of the films quite measure up to the[…]
1. PAUL THOMAS (dir. Bad Housewives, The Masseuse, The New Devil in Mrs. Jones) – A real actor (he played Peter in the film version of Jesus Christ Superstar), Paul[…]
Having recently bid a fond adieu to the post-DVD-release critical interest resurgence for Synecdoche, New York, it seems a ripe enough time for us to forget this dauntingly nebulous film[…]
Actors & Personalities · Reviews
As we prepare for Oscar once again, we see Angelina Jolie nominated for being in Clint’s “craftsmanship” film, CHANGELING. I heartily admire Jolie but, for my money, she’s never found[…]