Set my Polack free!
An apt cinematic analogy of the Polanski brouhaha can be found in Charles Laughton’s NIGHT OF THE HUNTER, namely the hyper-reactive old salt of the general store, Mrs. Icey Spoon[…]
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Erich Kuersten is the gonzo-theorist behind the Acidemic Journal of Film and Media as well as an award-skipping filmmaker and freelance film and music critic whose work can be found in Bright Lights, The Weeklings, Slant, Modern Drunkard, McSweeney's, Scarlet Street, VHJ, Daily Om, Muze, Divinorum Psychonauticus, and Midnight Marquee. Write him at erichk9@aol.com. He lives in Brooklyn. An apt cinematic analogy of the Polanski brouhaha can be found in Charles Laughton’s NIGHT OF THE HUNTER, namely the hyper-reactive old salt of the general store, Mrs. Icey Spoon[…]
“I’m through!”
Directors · Essays · Writers & Critics
“Kubrick’s 1961 film is really the first 1970s movie.”
Saw a couple baghead movies over the weekend and am still sleeping with the lights on. What’s so scary about a bag over a head? Who knows, but it works.[…]
Directors · Exploitation & Erotica · Reviews
It’s a shame that Ed Wood’s last non-skin film, NIGHT OF THE GHOULS (1959), had to go unseen all through the prime time of Wade Williams’ TV horror package. It[…]
In case you’re asleep at your desk (like me) I should tell you there’s a whole Chabrolian hooplah going on over at the amazing Flickhead! I’ve always liked Chabrol’s weird[…]
Actors & Personalities · Directors · Reviews
Reading Joseph Aisenberg’s excellent piece (below) I’m compelled to offer my understanding of the great Von Sternberg’s stylistic obsessiveness, especially since it’s something I understand and share. (This began as[…]
You’ll Like this Film Because You’re in It: The Be Kind Rewind Protocol, by Michel Gondry. New York: Picturebox, 2008. Paperback $16.95. 80pp. ISBN: 0-979-41538-1. If film is a religion,[…]
Maybe this has happened to you: you’re watching a film, dum de dum, suddenly… METHOD! Where did it come from and where does it go when it’s gone? Let’s take[…]
The 1970s remains, in my experience at any rate, the pinnacle for mainstream liberal understanding of slavery and the African American experience. As a child I remember being blown completely[…]
Film Criticism 101: Why You Should Recycle the Promo Packet To be sure, there are many distinct methods of film criticism that might be employed with equal, and mutually exclusive,[…]
All stars are subject to fits of madness, and if you date a daytime TV talkshow host for long enough, who knows what kind of depths of self-confessional martyrdom you[…]
Actors & Personalities · Exploitation & Erotica · Pre-Code
Hazy thoughts on the transition from real sex to digital hallucinations
Directors · Genres · Pre-Code · Reviews
“We can’t help but roll our eyes at a woman who would rather wear holes in her shoes looking for a ‘good honest job’ than roll around in money and mink.”
Kicking off the second pre-code set to come out this year, we’ve got THE CHEAT (1931, another in the “rich ne’er do well offers to ‘help’ married woman” genre. This[…]
This weekend, it being lovely and all, why not go to the movies and see OBSERVE AND REPORT? The film needs money. Writer-director Jody Hill is getting a drubbing apparently,[…]
There’s TWO pre-code sets out for spring: Forbidden Hollywood Vol. 3 and this week comes the Pre-Code Hollywood set from Universal. None of the films quite measure up to the[…]
1. PAUL THOMAS (dir. Bad Housewives, The Masseuse, The New Devil in Mrs. Jones) – A real actor (he played Peter in the film version of Jesus Christ Superstar), Paul[…]
Having recently bid a fond adieu to the post-DVD-release critical interest resurgence for Synecdoche, New York, it seems a ripe enough time for us to forget this dauntingly nebulous film[…]
Actors & Personalities · Reviews
As we prepare for Oscar once again, we see Angelina Jolie nominated for being in Clint’s “craftsmanship” film, CHANGELING. I heartily admire Jolie but, for my money, she’s never found[…]
