Desire as a Postcard: Michael Mann’s Cinema and the Postmodern Male Subject
In a world in which the space of the city, once peremptorily defined by its lights and shadows, has been transformed into a reflection of itself devoid of identity, an[…]
Author: Edoardo Rugo
Activist & Political · Class System · Directors · Italian Cinema
Closing with the Past: Marco Bellocchio’s Cinema and the Movement of History
Even after the radical shift in register with his collaboration with Massimo Fagioli, everything still holds up: the essence of historical struggle remains the true core of Bellocchio’s cinema, whether[…]
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