Activist & Political · Essays · Historical & Epic
A Journey into Political Consciousness: Africa as “Setting and Backdrop” in Shekhar Kapur’s The Four Feathers (2002)
“In reflecting the postcolonial sensibilities, rather than the imperialist enthusiasms, of the early twenty-first century, the film is very much a creature of its time.”


David Salter teaches in the Department of English Literature at the University of Edinburgh. He has published widely in the fields of early English literature, film, cultural history, and the visual arts.





