FREDDIE FRANCIS (1917-2007)
I’d like to join Tim Lucas and others in acknowledging the passing of Freddie Francis, a fine underrated director and one of the greatest of English cinematographers. He deservedly won[…]
a
C. Jerry Kutner is a frequent contributor to Bright Lights Film Journal. Visit his website at home.earthlink.net/~cjk5. I’d like to join Tim Lucas and others in acknowledging the passing of Freddie Francis, a fine underrated director and one of the greatest of English cinematographers. He deservedly won[…]
Actors & Personalities · Reviews
In a comment to my previous Jerry Lewis post, Tom Sutpen wrote: Couldn’t agree more . . . except . . . Jerry Lewis has always steadfastly denied any Martin[…]
“As much as the landscape is a character in It Came From Outer Space, it dominates Antonioni’s L’Avventura . . .” The surprising affinities between the careers of Italian “art film” director Michelangelo[…]
Essays · Genres · Horror · Movies · Reviews
“Look at yourself,” she says, “that’s not who you are anymore.” Dedicated to Joseph Stefano (1922-2006) and Anthony Perkins (1932-1992) Anthony Perkins was dying. On March 27, 1990, The National[…]
Edward Copeland at The House Next Door has written a great post concerning film monologues. After considering what makes a great film monologue, he describes in detail 5 stellar examples.[…]
Painting influences film. Film influences painting. The portraits of Los Angeles painter and performance artist Stacy Lande (pronounced, “lan-dee”) appear equally influenced by 19th Century Symbolism, 20th Century Expressionism, and[…]
While the rest of the blogosphere is celebrating director Robert Aldrich, I thought I’d put in a word for one of my favorite – and least discussed – Aldrich films,[…]
Orson Welles’ The Lady From Shanghai (1948) is one of the most anti-noir of classic noirs. “Shanghai” in The Lady From Shanghai means the same thing as “Chinatown” in[…]
The incredibly beautiful Julie Adams, paramour of The Creature From the Black Lagoon (Jack Arnold, 1953), and object of many adolescent fantasies including, obviously, my own. What a pleasure it[…]
Takashi Miike’s Imprint is being advertised on its DVD box cover as “Banned From Cable Broadcast.” Although other episodes (notably, Dario Argento’s Jenifer) were partly censored, of the 13 one-hour[…]
RECOMMENDED READING: In the September/October 2006 issue of Film Comment, writer/director Paul Schrader’s article on, “The Film Canon – What Constitutes a Cinematic Masterpiece.” This lengthy, absorbing essay has something[…]
A while back, I talked about the re-emergence of Romantic “blue flower” imagery in films like Batman Begins and A Scanner Darkly. Add one more film to the list –[…]
SF & Fantasy · Writers & Critics
The classic ’60s sci-fi anthology series, The Outer Limits, was conceived by eccentric writer/producer Leslie Stevens. How eccentric?? It was Stevens who later wrote and directed Incubus (1965), starring William[…]
SF & Fantasy · TV & Streaming · Writers & Critics
Playwright. Screenwriter. Producer. Known primarily for two major achievments: (1) He wrote the screenplay for Alfred Hitchcock’s Psycho (1960). (2) He was the producer and chief writer for the first[…]
In 1997, Charlie Kaufman wrote a screenplay adaptation of A Scanner Darkly that was never produced. You can read it here. Surprisingly, Kaufman’s version follows Philip K. Dick’s novel as[…]
If almost any director or screenwriter other than Richard Linklater had been given the opportunity to make Philip K. Dick’s A Scanner Darkly into a movie, I think their immediate[…]
I saw William Friedkin’s Cruising for the first time in 25 years when it played on IFC recently. Having listened to Friedkin’s DVD audio commentary on Val Lewton’s The Leopard[…]
Last month, the Los Angeles Times Magazine published a cover story concerning screenwriter Charlie Kaufman. The story was written by L.A. Times Book Editor, David L. Ulin, and in it,[…]
Time to get this blog rolling. “Let loose the Kraken!” as Larry Olivier would say. (Clash of the Titans – 1981.) On June 18, 2006, a Father’s Day, Isabella Rossellini’s[…]
