Satirical Excess and Empty Vessels: Martin Scorsese’s The King of Comedy
“Rupert Pupkin is uniquely a product of late capitalism near the close of the twentieth century; his fantasies reflect mass media’s ability to twist the real world into an insubstantial collection of images that mimic reality — the representation of self becomes more than the actual self, and it becomes impossible to tell the difference.”


Christina Marie Newland recently graduated from Nottingham Trent University with a First Class Honours BA in film & television. She plans to pursue a master's degree in film studies to further her research skills and interests in 1970s New Hollywood, classical genre studies, and Italian national cinema, particularly the work of Luchino Visconti.





