She-Gods, Gangsters, and Gunslingers: The “New Woman” in the Early Films of Roger Corman
As part of their liberation from convention, Corman empowers female characters with choices both real and metaphorical. Even a common love triangle can represent female empowerment, with the choice between[…]


Catherine Essinger studied film and literature before earning her Master's degree in Library and Information Science. She now oversees the Architecture, Design, & Art Library at the University of Houston, where she also served as the Women, Gender, & Sexuality Studies Librarian for many years. Her work has appeared in Cite, Houston History Magazine, and a number of library science journals and reference works. Her proposal for this article earned her the H. W. Wilson Foundation Research Award.





