a Andrew Grossman, Author at Bright Lights Film Journal - Page 3 of 3

Author: Andrew Grossman

Andrew GrossmanAndrew Grossman is the editor of the anthology Queer Asian Cinema: Shadows in the Shade (Harrington Park Press), a regular contributor to and editor of Bright Lights Film Journal, and a columnist for Popmatters. He has contributed book chapters to numerous anthologies, including New Korean Cinema (University of Edinburgh Press); Film and Literary Modernism (Cambridge Scholars); Chinese Connections: Perspectives on Film, Identity, and Diaspora (Temple University Press); Asexualities: Feminist and Queer Perspectives (Routledge); Moving Image: Documents of Contemporary Art (MIT Press); Transnational Chinese Cinema: Corporeality, Desire, and the Ethics of Failure (Bridge 21); The Pink Book: The Japanese Eroduction (Yale University: Kinema Club); Movies in the Age of Obama (Rowman-Littlefield); Clint Eastwood's Cinema of Trauma (McFarland); The Encyclopedia of LGBTQIA+ Portrayals in American Film (Rowman-Littlefield); The Routledge Handbook of Male Sex Work, Culture, and Society; Hong Kong Horror Cinema (Edinburgh University Press); Grief and Contemporary Horror Cinema (Lexington); Bloodstained Narratives: Critical Essays on the Giallo (University of Mississippi Press); A Critical Companion to Terry Gilliam (Lexington); East Asian Film Remakes (University of Edinburgh Press); and A Critical Companion to Julie Taymor (Lexington).