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Tags: LionsgatePreciousTyler PerryWhy Did I Get Married Too
Erich Kuersten is the gonzo-theorist behind the Acidemic Journal of Film and Media as well as an award-skipping filmmaker and freelance film and music critic whose work can be found in Bright Lights, The Weeklings, Slant, Modern Drunkard, McSweeney's, Scarlet Street, VHJ, Daily Om, Muze, Divinorum Psychonauticus, and Midnight Marquee. Write him at [email protected]. He lives in Brooklyn.
Bondage, Bestiality, and Bionics: Sexual Fetishism in Ridley Scott’s Blade Runner
February 25, 2014
Kurosawa on Video: Stray Dog, The Bad Sleep Well, The Lower Depths
May 1, 1998
The Greatest Beauty: The Imaginary Journey of Paolo Sorrentino’s The Great Beauty (La grande bellezza), 2013
April 24, 2014
Neo-Noir on Laser: Point Blank, Chinatown, The Long Goodbye
November 2, 2006
