“Dad, Is That You?” Revisiting M. Night Shyamalan’s The Sixth Sense
“Fatherhood, in a sense of a conscious begetting, is unknown to man.” — James Joyce, Ulysses
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“Fatherhood, in a sense of a conscious begetting, is unknown to man.” — James Joyce, Ulysses
“An incessant downpour dominates every exterior scene, and even some interior ones through sound. Water becomes a central motif, from Rinko relaxing contemplatively in the bath to Shigehiko watching people drown in the tank.”
There’s nothing wrong with these films per se, they stir deep emotions; they move us, en masse; they spark enraptured conversation on the drive home from the mall-tiplex, are superb examples of craftsmanship, and most importantly, they make bourgeois Oscar voters feel good about themselves, and their profession; these films rub the voters’ shoulders and whisper in their wrinkly ears – “you, my darling Academy member, are the makers of our dreams.”
In darker shadowy lairs, Myrna Loy meets with her devoted astrologer, Swami Yogadaci (the ever villainous C. Henry Gordon) to figure out how and when the constellations want her to assassinate her former sorority snubbers. Loy’s the villain, ostensibly, but you’ll be rooting for her all the way (unless you’ve never felt the sting of a snubbing yourself).
DVD & Blu-ray · Pre-Code · Reviews
Unseen for years thanks to its “dangerously progressive” attitudes towards sexual relationships outside wedlock, tomorrow, Tuesday 12/6/12! Criterion has released it in the stand-alone glory it deserves, replete with extras and an essay by the great Kim Morgan.
William is one of the great re-discovered icons of the pre-code era, exhumed by TCM like a King Tut of badass Satanic bravado and good humor, a cross between the wolf in Little Red Riding Hood and Basil Rathbone as Sherlock Holmes.
“The thumb isn’t good enough for you. You have to use your whole body.” Naked underneath her trenchcoat, frightened hitchhiker Christina Bailey (Cloris Leachman) gets private eye Mike Hammer (Ralph Meeker) to[…]
Murders are talked over via close-ups of cat statues, and a very dirty fella named Blackie gets offed by Guy Kibee (as you’ve never seen him before!).
“There are truths that can only be revealed on condition of having been discovered.”– Wajdi Mouawad, Incendies (2003)
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases
“Moretti’s aim in We Have a Pope is to unleash as many dissenting voices on the airwaves as possible — to create space within the tightness and enclosure of historical memories.”
“The cinema exists to record the moment when souls become visible.” –Jean-Michel Frodon
“Eve is like a cat, attracted by textures — stroking a violinist’s hands with chiffon and becoming entranced by a piece of fruit. She spends most of her time in ecstatic graceless dancing; even though anger and jealousy are present, they are rendered painless.”
For the Halloween devouring Other in you: Here’s a small sampling of films for inciting you or your other to an orgy of castration and Kali-esque bloodletting…
Walt Disney’s masterpiece, Fantasia, may seem at first like a random collection of animated shorts whose only common factor is that each was inspired by a well-known piece of classical[…]
Documentaries · Music & Musicals · Reviews
A documentary on the weird world of Ohioans keeping dangerous wild animals as pets (it’s legal there), this film couldn’t be more timely in the light of recent events
Documentaries · Reviews · TV & Streaming
[Editor’s note: Wham! Bam! Islam! plays on PBS on Thursday, Oct. 13 as part of its estimable Independent Lens series. Check local listings for time.] In July 2010, Dr. Naif[…]
Surely it’s a good sign that the Lincoln Center Film Society seems to be shaking things up a bit with this year’s festival. In part because of the new venues[…]
It’s not ‘rare’ by TCM standards, but its not easily available on DVD, so hey – you should maybe DV-R this if you haven’t already and then keep it[…]
Director George Sidney is known mainly for: (1) glamourizing women, and (2) showing the audience a good time. In The Three Musketeers (1948), he does both. The principal woman glamourized[…]
