Making art in the most unlikely circumstances Edgar G. Ulmer (1904-1972) was one of many beneficiaries of the wave of auteurism that galvanized critics in France in the 1950s and[…]
Crime · Noir · Reviews · Uncategorized
Good golly, Mr. Holly! In one of the many extras in Criterion’s sumptuous DVD presentation of Carol Reed’s The Third Man, Peter Bogdanovich calls the film “the greatest non-auteur film[…]
Fritz Lang brings the terrors of noir into the bright kitchens of America. Watch that coffee pot! In Bright Lights 12 devoted to film noir, Gary Morris locates the malaise[…]
