Crime · LGBT & Queer · Reviews
Hell in the Heartland: Boys Don’t Cry
These boys do, and so do the girls The credits for Boys Don’t Cry list “Killer Films” as one of the production companies, and that’s as apt a description of[…]
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Crime · LGBT & Queer · Reviews
These boys do, and so do the girls The credits for Boys Don’t Cry list “Killer Films” as one of the production companies, and that’s as apt a description of[…]
The Go Fish queen goes fishing again – this time for gay boys and the men and women who love them Rose Troche’s Go Fish (1994) was one of the[…]
The “velocity” of this misguided AIDS drama never materializes Director Dan Ireland made an impressive debut in 1997 with The Whole Wide World, a sleeper about the 1930s pulp writer[…]
Mark Illsley’s dicey debut feature about faux gay cons in the hideous heartland One sign of the maturing of a community is its ability to laugh at itself, something that[…]
This mixed-bag British coming out drama doesn’t quite come out. A film with scenes of a trim 16-year-old schoolboy dawdling decoratively outside a public toilet hoping a trick will stroll[…]
A good-natured low-budget road movie with a queer twist With occasional exceptions like Philadelphia, the “AIDS movie” has been mostly a ghetto genre, so much so that many of these[…]
Documentaries · Festivals & Awards · LGBT & Queer
Gendernauts, military drag queens, communist queers – and, oh yes, John Waters distinguish this year’s docs. Those who make them and those who follow them have long lamented the lack[…]
For the SFILGFF, this is the year of the closet – empty! The proportion of successes to stinkers is reassuringly high in this year’s San Francisco International Lesbian and Gay[…]
Directors · Interviews · LGBT & Queer · Reviews
The auteur of Petticoat Planet and Retro-Puppetmaster discusses his the kinky leatherboy arthouse epic Leather Jacket Love Story and other things How much did Leather Jacket Love Story (1998) cost?[…]
This sweet film about queer fratboys in love defies the odds, too. Summer is when the studios unleash their biggest potential moneymakers, which this year have also turned out to[…]
Relax . . . it’s just a movie – and a good one thanks to a sharp script and Jennifer Tilly * * * Relax . . . It’s Just[…]
Three historic gay movies from Water Bearer Films It was inevitable that the DVD market would move beyond the blockbusters and so-called reference disks (those mindless actioners like Armageddon whose[…]
Teenage coming-of-age romantic comedies were once exclusively hetero terrain. Homophobic Hollywood couldn’t conceive of a queer Pretty in Pink during the 1980s, when John Hughes reigned supreme at the box[…]
Directors · Exploitation & Erotica · LGBT & Queer · Reviews
Metzger madness begins in earnest with the release of four of his best on DVD “Art” has long functioned as a code word for erotica in certain contexts. Phrases like[…]
Festivals & Awards · LGBT & Queer
These mincing musclequeens might as well be Hercules’ daughters! Among the 1999 San Francisco Lesbian & Gay Film Festival’s dog-and-pony shows, Sons of Hercules promises to be one of the[…]
“Seven tired screaming fairy queens and one anxious queer” — our beloved boys are all dressed up and back on screen. If William Friedkin’s grim gay thriller Cruising (1980) continues[…]
Experimental & Underground · LGBT & Queer · Reviews
The tragedy of the temporal dominates the work of this gifted Canadian experimental filmmaker In the opening segment of Panic Bodies (1998), Canadian filmmaker Mike Hoolboom talks poetically about the[…]
Experimental & Underground · LGBT & Queer · Reviews
Flashing needles and literal crowns of thorn mark the work — and the body — of performance artist Ron Athey Modern primitives don’t get quite the respect they used to.[…]
Experimental & Underground · LGBT & Queer · Reviews
The man who gave us Urinal and Lillies now turns his playful eye on circumcision, copyright, and Pierre Trudeau. In his early short film, The Making of Monsters (1991), Canadian[…]
Experimental & Underground · LGBT & Queer
Writer-director Everett Lewis takes us, ready or not, into a particularly nasty demimonde. With the increasing mainstreaming of cinematic homosexuality, there’s a distinct allure to movies that insist on showing[…]
