Meat for the Machine: On the Hidden Horrors of Alain Resnais’ Documentary Shorts
Covering topics as banal as the production of plastics and as profound as cultural appropriation, these films aren’t workaday projects so much as serious visual essays that extend Resnais’ preoccupation[…]


Zak Salih lives in Washington, D.C. His writing has appeared in publications including The Millions, Los Angeles Review of Books, Richmond Times-Dispatch, and Washington City Paper.





