Thomas M. Puhr lives in Chicago, where he teaches English and language arts. A regular contributor to Bright Lights Film Journal, Film International, and Beneficial Shock!, he has published Fate in Film: A Deterministic Approach to Cinema with Wallflower Press. 
David Fincher’s Zodiac: Cinema of Investigation and (Mis)Interpretation, edited by Matthew Sorrento and David Ryan. 259 pp. Fairleigh Dickinson UP, 2022. 2007 was a good year for American film, with[…]
Horror · Mystery · SF & Fantasy · Westerns
The Thing and The Hateful Eight’s analogous narratives speak to broader philosophical notions of selfhood and knowledge of others. Their thematic undercurrents explore the forever-complicated terrain of what it means[…]
Something hereditary is passed down to posterity, all without their foreknowledge or approval; an unborn child has no say in what color eyes it will have, what its allergies may[…]
“Ava was a rat in a maze, and I gave her one way out. To escape, she’d have to use self-awareness, imagination, manipulation, sexuality, empathy, and she did.” * *[…]
The film makes a far more subtle statement about childhood’s inevitable, metaphorical death: All innocent children must eventually grow into corrupted adults, and adults will only suffer for trying to[…]
The dominant image from Jonathan Glazer’s Under the Skin (2013) is that of an opaque pool of black liquid, into which sink a variety of men who have fallen victim[…]
