Pushing Limits: On Crime, Bollywood, and Kahaani
“Kahaani captures this moment of rising disillusionment and change in the world. There is no ‘riding-into-the-sunset’ happy ending, for Vidya still remains an unhappy widow at the close of the movie: perhaps an appropriate resolution for these angsty times.”


Sudha Shastri is associate professor of English in the Department of Humanities and Social Sciences, IIT Bombay. Her areas of teaching and research interest lie in narratology, intertextual writing, postmodern fiction, Indian Literature in English, and Film Studies.





