Santasil Mallik is a writer and media artist pursuing his PhD in media studies from Western University, Canada. Across academic and popular platforms, he writes on documentary films and the history and theory of photography. 
Colonialism · Documentaries · India
The film reimagines mapmaking as a self-reflective and relational drawing practice manifesting in myriad narratives on the filmmaker’s skin. Bhavnani initiates a participatory process as she situates her tattooed designs[…]
Documentaries · Religion & Spirituality
Ciro Guerra’s Embrace of the Serpent (2016) can be read as a brilliant subversion of the colonising role that the camera plays in appropriating native cultures in favour of Western[…]
