Santasil Mallik is a writer and media artist pursuing his PhD in media studies from Western University, Canada. Across academic and popular platforms, he writes on documentary films and the history and theory of photography. 
Documentaries · India · Labor · Uncategorized
While complaints about the industry’s orchestration of emotions and personality were commonplace, some workers also celebrated the prerogative of assembling new identities (58). Moreover, their exposure to Western cultural habits[…]
Colonialism · Documentaries · India
The film reimagines mapmaking as a self-reflective and relational drawing practice manifesting in myriad narratives on the filmmaker’s skin. Bhavnani initiates a participatory process as she situates her tattooed designs[…]
Documentaries · Religion & Spirituality
Ciro Guerra’s Embrace of the Serpent (2016) can be read as a brilliant subversion of the colonising role that the camera plays in appropriating native cultures in favour of Western[…]
