a Roger McNiven, Author at Bright Lights Film Journal

Author: Roger McNiven

Roger McNiven taught film classes at New York University and ran film societies in New York City and Martha's Vineyard.

Crime · Drama · Noir · Reviews

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Women Larger Than Life: Program Notes 2: King Vidor’s Beyond the Forest (1949) / Gerd Oswald’s Crime of Passion (1957)

  • July 31, 2009

Note: The humble program note has a long and noble history. Sometimes anonymous, sometimes not, cheered as often as they were reviled, these brief, ephemeral, often illuminating handouts, likely destined for the dustbin the same night they appeared, offer “wisdom in a nutshell,” as one of Ivy Compton-Burnett’s characters aptly put it. This article is the second in Bright Lights’ series of vintage program notes from those heady days of the 1970s when unstoppable auteurists started their own cine clubs and commandeered movie theaters to bring their idea of cine-culture to audiences. Our late friend Roger McNiven continues the series with fascinating write-ups of two more works on the subject of “women larger than life,” in this case Bette Davis in King Vidor’s woefully underrated Beyond the Forest and Barbara Stanwyck in Gerd Oswald’s undeservedly obscure Crime of Passion. This double feature was screened at the legendary Thalia Theatre in New York City on Monday, December 3, 1979. We have added images but not edited the text, deferring to the time and spirit in which it was written.

Reviews

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Women Larger Than Life: Program Notes 1: Allan Dwan’s Woman They Almost Lynched (1953) / Slightly Scarlet (1956)

  • April 30, 2009

Note: The humble program note has a long and noble history. Sometimes anonymous, sometimes not, cheered as often as they were reviled, these brief, ephemeral, often illuminating handouts, likely destined for the dustbin the same night they appeared, offer “wisdom in a nutshell,” as one of Ivy Compton-Burnett’s characters aptly put it. This article is the second in Bright Lights’ series of vintage program notes from those heady days of the 1970s when unstoppable auteurists started their own cine clubs and commandeered movie theaters to bring their idea of cine-culture to audiences. Our late friend Roger McNiven continues the series with fascinating write-ups of two more works on the subject of “women larger than life,” in this case Allan Dwan’s Slightly Scarlet and The Woman They Almost Lynched, screened at the legendary Thalia Theatre in New York City on Tuesday, December 4, 1979. We have added images but not edited the text, deferring to the time and spirit in which it was written.

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