Documentaries · Music & Musicals · Reviews
“I’m Glad I’m Not Me”: The Many Faces of Bob Dylan in Dont Look Back
“It comes as no surprise that Dylan, who has made a career out of dodging tidy classifications and labels, would be involved with a film that exhibits traits of both schools of cinéma vérité, rendering it as one of the most challenging and important works of the 1960s.”


A. J. Serrano is completing his undergraduate degree in film at the University of Southern California. He is an editor for USC's online literary journal, Scribe, and contributes a weekly film blog. Aside from his studies, he and his brother write and direct short films for their Boston-based production company.





