Drama · French Cinema · Uncategorized · Writers & Critics
Bresson, Schrader, and the Fool: Transcendental and Materialist Interpretations in the Films of Robert Bresson
I think the reason Bresson’s films resist singular interpretations is that they are composed of multiple, overlapping perspectives. His films contain elements of humanism, nihilism, absurdism, existentialism, transcendentalism, and numerous[…]