“Human Frailty Swallowed Whole”: On Walter Hill’s Southern Comfort (1981)
“A purely political reading of Southern Comfort does not account for the fact that Hill is as much a visual stylist as he is a storyteller. Or rather, it does not account for the manner in which he tells his stories through his style, which happens to be more finely attuned to the spare poetics of male action cinema than any other American filmmaker of his generation.”