Henry Rownd is a film historian who writes (mostly) about film aesthetics in the immediate aftermath of the Hollywood studio system, c. late 1960s. He recently finished his PhD in art history at Stanford University. 
Franchises & Series · Superheroes
This is all to say that Endgame is more interested in fantasy outcomes than solving the problems it gives itself. It promises us a future more bearable than our present[…]
“Less than a month after premiering for an ‘indefinite time’ at the Selwyn, the Teleview was pulled.”
