Andrew Stone and his fantastically helpful wife-editor have evolved an entirely different ethos of film-making.… If they want to blow up a train, they blow up a real train. If[…]
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“The major point of convergence between Cassavetes and the Dogme movement is an oppositional realist form that blurs the boundaries between being and performing.”
“Arriving in Los Angeles for the film’s premiere there, he quickly blotted his copybook by hurling a drink at the producer Sam Spiegel, the most powerful man in Hollywood at the time. Spiegel had ‘massacred’ Lawrence, O’Toole remarked, by cutting twenty minutes of it in order ‘to sell more fucking ice cream to the punters.'”