The box office and critical reaction to many of these film noirs varied wildly and widely, especially with viewers in the middle of the country. “The picture is too long[…]
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“The morally complex interrelationship of hero/villain, which is partially accountable for the remarkable intensity of his films, has at its roots the film noirs of the 1940s. The darker side of human nature, the interiority of these earlier, psychologically troubled characters, is the determining force in Mann’s noirs. We see the director striving for the depth and complexity of characterization he ultimately achieved in the great films of the 1950s.”
Film Noir: The Encyclopedia, 4th edition; edited by Alain Silver, Elizabeth Ward, James Ursini, and Robert Porfirio. Hardcover. $49.95. New York: Overlook Duckworth, 2010. ISBN 1-59020-144-2. The consensus is clear:[…]
Andrew Stone and his fantastically helpful wife-editor have evolved an entirely different ethos of film-making.… If they want to blow up a train, they blow up a real train. If[…]