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"They were educated in security, and these guys are raised with the concept that the word 'Jew' means 'enemy.' They all look at themselves in the mirror, and they imagine themselves to be superheroes, spy killers . . . I doubt they even saw the film before banning it."
"The whole effect is a Rand-esque, dream-like, dystopian feel. This is very much Curtis taking an auteur approach to his documentary — his creative personality is all over it and the effect is enthralling."
"It's encouraging to see how articulate and unafraid many of the kids in Put This on the Map are in deciding who they want to be, how they want to live, and even what they want to be called: 'Very gay,' 'an ally,' 'dating an FTM,' 'not straight, gay, bi, anything.'"
"How does Tibet's cultural destruction differ, in essence, from Time-Warner's choreographed glamorization of bitches and ho's in inner-city America, or death metal's hold over disenfranchised Midwestern youth?"
Curator Jenni Olson looks at the history of marginalized groups through one of the most ephemeral cultural forms, the movie trailer. Her latest compilation of coming attractions focuses on blacks in mainstream and low-budget Hollywood films from 1946 to 1976
Writer-director Mark Rappaport has devised an ingenious strategy for examining Jean Seberg's life and career. He hired Mary Beth Hurt to play the actress as if she didn't commit suicide in 1979 but lives on like all actors through the magic of film, reincarnated as a sort of performance artist, film historian, and cultural commentator.