actor profiles

animation

book reviews

director profiles

documentaries

experimental &
avant garde


exploitation

film festivals

film noir

film reviews

gay & lesbian

hong kong films

horror

interviews

japanese cinema

music & musicals

silent film

tranny cinema
 
- - - - - -
To be automatically notified when the next issue is posted, join our mailing list.

writers gone wild!
Keep up with Bright Lights between issues by visiting our companion blog, Bright Lights After Dark.

  home | current issue | archives | search | about us | contact | donate | blog | links

Andrew Grossman

Andrew Grossman is the editor and coauthor of the anthology Queer Asian Cinema: Shadows in the Shade (Harrington Park Press, 2001), and has written book chapters for the anthologies Chinese Connections: Critical Perspectives on Film, Identity, and Diaspora (Temple University Press, 2004), The New Korean Cinema (Edinburgh University Press, 2004), and 24 Frames: The Cinema of Japan and Korea (Wallflower Press, 2004). His writing also appears in The New Dictionary of the History of Ideas (Scribner and Sons), Senses of Cinema, American Book Review, and elsewhere.

in issue 64

Between Nudist Morality and Freudian Realism! Denuding Fleshly Hypocrisies, Cinematic and Otherwise — "Nude on the Moon's exploitation is as innocent as the Good Christo-Nudist's reclaiming of a pre-figleafed (albeit non-recreational) Eden."

in issue 62

Finding Unlikely Ideology in Prokofiev: Polyphonic and Anti-Authoritarian Gestures in The Gambler — "Alexei must be condemned to the pointless, loveless, and finally false freedom of a spinning limbo, as unfinished and unfinishable as the best Bakhtinian polyphony."

in issue 59

False Consonance and False Consciousness: Contrarian Notes on the Ideology of Film Music — "Defenseless against music, I must submit to its despotism and, depending on its whim, be god or garbage." — E. M. Cioran

in issue 55

How to Hate Titles Correctly: A Pillow Book of Misguided Assertions
What's in a name

in issue 50

Against Pleasure, Against Identification: Feminism, Cultural Atheism, and the Tragic Subject (Part Two) — "The more a man dreams, the less he believes." — H. L. Mencken

in issue 49

Isolating Isolationism: Recent INDEX Releases from the Austrian Avant-Garde — Part 1: Austrian Exhibitionists

in issue 47

Against Pleasure, Against Identification: Feminism, Cultural Atheism, and the Tragic Subject (Part One) — Rescuing feminism from rape — and queer theory

in issue 46

How to Murder John Williams: Toward an Ideology of Contrapuntal Antirealism — To construct musicality through expressionism, or to express musicality through constructivism?

in issue 44

Blood Feast Revisited, or H. G. Lewis as the Keeper of the Key to All Erotic Mystery — After forty years, now serving porn as intentional camp for erotic consideration

in issue 43

What We Talk About When We Talk About Ho Meng-Hua — How to strike at the heart of a beast with the heart of a beast

Twelve-Tone Cinema: A Scattershot Notebook on Sexual Atonality — Is queerness an angry chord or a beautiful harmony?

in issue 41

Trembling Before G-d, or Die Volkschmiere — Who will judge the judges trembling before sex? The atheists!

in issue 40

How to Turn One's Back on a Tyrant, Part Two — The opposite of realism is not fantasy, but disappointment

in issue 38

An Actionist Begins to Sing: An Interview with Otto Mühl — "I have been making art for 50 years and have never quite allowed myself to be corrupted. Quite the opposite, I was locked up." (Otto Mühl)

in issue 37

Bleeding Realism Dry, or How to Turn One's Back on a Tyrant — The cripplingly small-minded art of verisimilitude becomes crippled by its own technology

in issue 36

The Japanese Pink Film: Tandem, The Bedroom, and The Dream of Garuda on DVD — All jargon and no authenticity?

in issue 35

Better Beauty Through Technology: Chinese Transnational Feminism and the Cinema of Suffering — Feminism adrift in a sea of ogling orientalism, global capitalism, and fatalist aesthetics

Beautiful Mystery and I Like You … I Like You Very Much on DVD — The DVDs of these two rare gay pink films could use some extras and better source prints, but at least they’re here!

in issue 33

Gohatto — or the End of Oshima Nagisa? — Truly subversive or mere cinematic "seasoning," in the director’s own phrase?

in issue 32

The Boyz of Bollywood: Kaizad Gustad's Bombay Boys — These boyz mix it up, sort of, in what seems to be India’s first gay indie

Follow us on:

blog advertising is good for you

blog advertising is good for you

 


New book from the
editor and writers of
Bright Lights Film Journal

Action! Interviews with Directors
from Classical Hollywood to
Contemporary Iran

(Anthem Art and Culture),
by Gary Morris (Editor),
Bert Cardullo (Introduction),
Jonathan Rosenbaum (Foreword).
London and New York:
Anthem Press, 2009.

"I dare anyone to squeeze between
two covers a more varied, useful and
flat out entertaining sampling of
the personalities that make the
seventh art the liveliest."
— David Hudson, IFC.com

Interviews
Robert Bresson
Roger Corman (with Bruce Dern
  and David Carradine)
Allan Dwan
Clint Eastwood
Douglas Sirk
Robert Wise
Mania Akbari
Lars von Trier
Michael Haneke
Allie Light
Melvin and Mario van Peebles
Otto Muehl
The Brothers Quay
Barbara Kopple
Federico Fellini
Abbas Kiarostami
François Truffaut
Caveh Zahedi
Peter Bogdanovich and
  Joseph McBride
  on Orson Welles

Order now at Amazon.